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Disiecta Membra Musicae : Studies in Musical Fragmentology / Giovanni Varelli.

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Format:
Book
Author/Creator:
Varelli, Giovanni.
Contributor:
Daniele, Sabaino, Contributor.
David, Catalunya, Contributor.
David, Hiley, Contributor.
Giovanni, Varelli, Contributor.
Julia, Craig-McFeely, Contributor.
Jurij, Snoj, Contributor.
Karl, Kügle, Contributor.
Bent, Margaret, Contributor.
Paweł, Gancarczyk, Contributor.
Reinhard, Strohm, Contributor.
Sanna, Raninen, Contributor.
Susan, Rankin, Contributor.
Varelli, Giovanni, Editor.
Zsuzsa, Czagány, Contributor.
Centre for the Study of Manuscript, Funder.
Series:
Studies in Manuscript Cultures
Studies in Manuscript Cultures ; 21
Language:
English
Genre:
Essays.
Physical Description:
1 online resource (VI, 398 p.)
Edition:
1st ed.
Place of Publication:
Berlin ; Boston : De Gruyter, [2020]
Language Note:
In English.
Summary:
Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century’s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony.
Contents:
Frontmatter
Contents
Preface
Overview
Polyphonic Fragments: Destruction, Recovery, Reconstruction
Models
Processional Chants in the Early Medieval Period: The Lesson of Fragments
Some Medieval Relics of Saints’ Plainchant Offices
Trails
Music Fragments from Slovenia: Towards a Reconstruction of the Medieval Plainchant Manuscript Production
Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources
Fragments of Local Polyphony in Late Medieval Central Europe: Towards a Semiotic Interpretation of Musical Sources
Receivers
Make Do and Mend: Reworking Liturgical Parchment Manuscripts in Post-Reformation Sweden
The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices
Representations
A Collection of Fragments, or a Fragment of a Collection? The Musical Appendix of A-Wn Cod. 5094
The Unexpected Song: An Early Italian Vernacular Poem, a Neumatic Notation, and How to Detect Their Interrelationships in the Ravenna Charter
Processes
Fragmenta Manuscriptorum Musicalium Hungariae Mediaevalis: From Traditional Methodologies Towards a Digital Corpus
Restoration, Reconstruction, and Revisionism: Altering Our Virtual Perception of Damaged Manuscripts
Indexes
Index of Manuscripts and Fragments
Index of Chants and Compositions
General Index
Notes:
Description based upon print version of record.
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0 https://www.degruyter.com/dg/page/open-access-policy
Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Jan 2021)
ISBN:
9783110717884
3110717883
OCLC:
1229160758
Access Restriction:
Open access Unrestricted online access

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