7 options
Manhua Modernity : Chinese Culture and the Pictorial Turn / John A. Crespi.
- Format:
- Book
- Author/Creator:
- Crespi, John A., Author.
- Language:
- English
- Subjects (All):
- Caricature--Political aspects--China--20th century.
- Caricature.
- Caricature--China--History--20th century.
- Caricatures and cartoons--China--History--20th century.
- Caricatures and cartoons.
- Communism and culture--China--History--20th century.
- Communism and culture.
- Political culture--China--History--20th century.
- Political culture.
- Physical Description:
- 1 online resource (230 p.)
- Edition:
- 1st ed.
- Place of Publication:
- University of California Press 2020
- Berkeley, CA : University of California Press, [2020]
- Language Note:
- In English.
- Summary:
- A free open access ebook is available upon publication. Learn more at www.luminosoa.org. From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China’s modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.
- Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction: Manhua, Magazines, Modernity
- 1. Shanghai Sketch and the Illustrated City
- 2. War, Rites of Passage, and Resistance Sketch
- 3. Zhang Guangyu and the Pictorial Imagination of Manhua Journey to the West
- 4. Propaganda and the Pictorial: Manhua yuekan, 1950–1960
- Epilogue
- Notes
- Selected Glossary
- Works Cited
- Index
- Notes:
- This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0 https://www.degruyter.com/dg/page/open-access-policy
- Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Jan 2021)
- OCLC:
- 1154858759
- Access Restriction:
- Unrestricted online access
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.