Animism, materiality and museums how do Byzantine things feel? / Glenn Peers.

Format:

Book

Author/Creator:

Peers, Glenn, author.

Series:

Collection development, cultural heritage, and digital humanities

Language:

English

Subjects (All):

Art, Byzantine.

Animism in art.

Art, Byzantine--Exhibitions.

Geographical Subject Heading.

Physical Description:

1 online resource (178 pages) : illustrations (black and white, and colour) ;

Edition:

New edition.

Place of Publication:

Leeds : Arc Humanities Press, 2020.

Language Note:

In English.

System Details:

text file

Biography/History:

Peers Glenn : Glenn Peers is professor in the Department of Art and Music Histories at Syracuse University and professor emeritus in the Department of the History of Art and Art History at the University of Texas at Austin. He curated "Byzantine Things in the World" at The Menil Collection (Houston, TX) in 2013.

Summary:

Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, these essays challenge us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.

Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines-modern art, environmental theory, anthropology-to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays-some new and some previously published-and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.

Contents:

Frontmatter

CONTENTS

List of Illustrations

Acknowledgements

Introduction

Part 1. Animate Materialities from Icon to Cathedral

Chapter 1. Showing Byzantine Materiality

Chapter 2. The Byzantine Material Symphony: Sound, Stuff, and Things

Part 2. Byzantine Things in the World: Animating Museum Spaces

Chapter 3. Prelude on Transfiguring Exhibition

Chapter 4. Transfiguring Materialities: Relational Abstraction in Byzantium and Its Exhibition

Chapter 5. Framing and Conserving Byzantine Art: Experiences of Relative Identity

Part 3. Pushing the Envelope, Breaking Out: Making, Materials, Materiality

Chapter 6. Angelic Anagogy, Silver, and Matter's Mire

Chapter 7. Late Antique Making and Wonder

Chapter 8. Senses' Other Sides

Epilogue

Bibliography

Index Contents [delete if appropriate].

Notes:

Includes bibliographical material and index.

This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0 https://www.degruyter.com/dg/page/open-access-policy

Description based on print version record.

Other Format:

Print version:

ISBN:

1-942401-73-6

OCLC:

1240574170

Access Restriction:

Open access Unrestricted online access