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Arabic poetics : aesthetic experience in classical Arabic literature / Lara Harb.

Van Pelt Library PN1049.A7 H37 2020
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Format:
Book
Author/Creator:
Harb, Lara, author.
Series:
Cambridge studies in Islamic civilization
Language:
English
Subjects (All):
Poetics--History--To 1500.
Poetics.
History.
Arabic poetry--750-1258--History and criticism.
Arabic poetry.
Arabic poetry--1258-1800--History and criticism.
Arabic language--Versification--History.
Arabic language.
Arabic language--Versification.
Genre:
Criticism, interpretation, etc.
History.
Physical Description:
xviii, 298 pages ; 24 cm.
Place of Publication:
Cambridge, UK ; New York, NY : Cambridge University Press, 2020.
Summary:
"The sixth/twelfth-century Andalusian philosopher Ibn Rushd, or Averroes as he is known in Latin, cites the following early Islamic-era verse in his commentary on Aristotle's Poetics. In it, the poet describes having a conversation with his fellow caravan travelers on camelback on their way home after they have fulfilled their pilgrimage duties in Mecca"-- Provided by publisher.
Contents:
Machine generated contents note: Wonder
Classical Arabic Literary Theory
Poetic Criticism and Badi
Aristotelian Arabic Poetics
Eloquence and Bayan (Elucidation)
The Miracle of the Quran
Al-Jurjani and the Science of Eloquence (Balagha)
The New Aesthetic
1. Wonder: A New Paradigm
I. The Old School of Literary Criticism
Naturalness and Artificiality
The Fundaments of Poetry (Amud al-shi'r)
Truth and Falsehood
Early Defenses of the New Style
II. The New School of Criticism
Make-Believe (Takhyil)
The Aesthetics of Make-Believe
Hyperbole
The Aesthetics of Badi'
Conclusion
2. Wonder in Aristotelian Arabic Poetics
Background
Al-Farabi: The Beginnings
Ibn Sina: A New Conception of the Poetic
Takhyil
Muhakat
Muhakat and Wonder
The Ways of Producing Takhyil: Muhakat and Badi'
Ibn Rushd and the Poetics of Alteration
Alteration (Taghyir)
Why Is Alteration Poetic?
What about Muhakat?
The Relationship between Muhakat and Taghyir (Alteration)
Al-Qartajanni: Strange-Making and Reception
Primary and Secondary Takhyil
The Arts of "Strange-Making"
Believability and Reception
AJ-Sijilmasi: Truth-Falsehood Revisited
Takhyil and Discovery
Return to the Truth-Falsehood Debate?
3. Discovery in Bayan
Simile as Bayan
Al-Jurjani and the Wonders of Discovery
Discovery
Effort
The Distance Formula
Strangeness
Simile and the Science of Bayan
The Purpose of Simile: Discovery and Novelty
4. Metaphor and the Aesthetics of the Sign
Abd al-Qahir al-Jurjani and the Eloquence of the Word
Metaphor, Figurative Speech, and Metonymy
Simile, Analogy, and Metaphorical Analogy
Indirect Signification and Eloquence
What Makes One Metaphor Better than Another?
`Ilm al-Bayan (The Science of Elucidation)
Definition of the Science of Elucidation (`Ilm al-Bayan)
Signification and Deduction
`Ilm al-Bayan and Eloquence
Variation in Bay an
Simile as Indirect Signification?
5. Nazm, Wonder, and the Inimitability of the Quran
The Miracle and Wonder
Early Arguments
`Abd al-Qahir al-Jurjani
Nazm
Figurativeness in Nazm
The Meanings of Syntax vs. the Meaning of Meaning
Sentence Construction (Nazm) and Eloquence
Nazm and Wonder
Nazm after al-Jurjani
The Science of Meanings (`Ilm al-Ma'ani)
The New Conceptualization of Nazm
The Unexpected
The Science of Meanings and Eloquence
Conclusion: The Miracle
Epilogue: Fasaha, Balagha, and Poetic Beauty
Timing of New Aesthetic
Art for Art's Sake?
Is It for Everyone?
Beyond Arabic Literature.
Notes:
Includes bibliographical references and index.
Other Format:
Online version: Harb, Lara, 1981- Arabic poetics
ISBN:
9781108490214
1108490212
OCLC:
1128196626

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