Sounding feminine : women's voices in British musical culture, 1780-1850 / David Kennerley.

Format:

Book

Author/Creator:

Kennerley, David, 1988- author.

Contributor:

Alfred Reginald Allen Memorial Fund of The Savoy Company.

Series:

New cultural history of music

The new cultural history of music

Language:

English

Subjects (All):

Women singers--Great Britain--History--19th century.

Women singers.

Women singers--Great Britain--History--18th century.

Music--Social aspects--Great Britain--History--19th century.

Music.

Music--Social aspects--Great Britain--History--18th century.

Singers--Great Britain--History.

Singers.

Femininity in music.

Music--Social aspects.

History.

Great Britain.

Genre:

History.

Physical Description:

xii, 220 pages : illustrations ; 25 cm.

Place of Publication:

New York, NY : Oxford University Press, [2020]

Summary:

"This book examines the uses and meanings of women's voices in British society and musical culture between 1780 and 1850. As previous scholars have argued, during these decades patriarchal power increasingly came to rest upon a particular understanding of the essentially different nature of male and female physiology and psychology. As a result, this book contends, the female voice-believed to blend both physical and mental attributes-became central to maintaining, and challenging, gendered power structures. It argues that the varying ways women used their voices-the sounds that they made, as much as the words they spoke or sang-were understood by contemporaries as aural markers of different kinds of femininity. Consequently, contemporary divisions over feminine ideals were both expressed and contested through women's use of their voices and audiences' responses to them. Following an introduction that lays out the book's theoretical frameworks and main arguments, the first three chapters explore how contemporary responses to different styles of female vocality were shaped by class, religious and national discourses, through an exploration of conduct literature, letters, diaries, life-writing, and music criticism and reportage in newspapers and periodicals. Two case studies then extend the argument further through detailed analysis of the use and meaning of women's voices on the part of both amateur and professional female singers respectively. A closing epilogue draws together the book's major themes and discusses their implications for the gender history of this period"-- Provided by publisher.

Contents:

Introduction. Sounding Feminine

Instructing women's voices in conduct literature

Encountering women's voices in letters, diaries, and life-writing

Criticising women's voices in the musical press

Dorothea Solly's musical world : Class, religion, and the cultivation of the female voice

The lives and voices of professional female singers : three vignettes

Epilogue. Voicing a new femininity.

Notes:

Includes bibliographical references and index.

Local Notes:

Acquired for the Penn Libraries with assistance from the Alfred Reginald Allen Memorial Fund of The Savoy Company.

Other Format:

Online version: Kennerley, David, 1988- Sounding feminine

ISBN:

9780190097561

0190097566

OCLC:

1135098027

Publisher Number:

99984776094