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Guide to the contemporary harp / Mathilde Aubat-Andrieu [and three others] ; translated from French by Lilian Rossi and Jean Rossi.

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Format:
Book
Author/Creator:
Aubat-Andrieu, Mathilde, author.
Contributor:
Rossi, Lilian, translator.
Rossi, Jean, translator.
Standardized Title:
Harpe aux XXe et XXIe siècles. English
Language:
English
French
Subjects (All):
Harp--History--20th century.
Harp.
Harp--History--21st century.
Physical Description:
1 online resource (219 pages)
Place of Publication:
Bloomington, Indiana : Indiana University Press, [2019]
Summary:
Guide to the Contemporary Harp is a comprehensive resource that examines the vibrant present-day landscape of the harp. The authors explore the instrument from all angles, beginning with organology; moving through composition, notation, and playing techniques; and concluding with the contemporary repertoire for the harp. It is an essential guide for any harpist looking to push the instrument to new heights.
Contents:
Cover
GUIDE TO THE CONTEMPORARY HARP
Title
Copyright
CONTENTS
Preface
Acknowledgments
Introduction
1. Organology
I. Historical Background
II. The Pedal Harp
General Characteristics
The Parts of the Harp
The Strings
The Pedals and the Modulation Mechanism
Using the Pedals
Pedal Notation
Playing the Harp
III. The Lever Harp
Levers and the Modulation Mechanism
Playing the Lever Harp
IV. Electric Harps
The Electroacoustic Harp
The Electric Harp
The Electric- Acoustic Harp
V. Some Twenty- First-Century Creations
The MIDI Harp
The Automatic Harp
2. Writing and Language
I. Notation
Measured Notation
Unmeasured Notation
Proportional Notation
Introduction of the Aleatory Element (Indeterminacy)
Open Works
Combination of Several Notations
Superposition of Different Tempi
Writing on Several Staves
Writing with a System Other than the Five-Line Stave
Graphic Scores
II. Dramatized Writings
Microchoreography, Theatrical Gestures
Dramaturgic Use of the Voice
Use of the Sung Voice, with No Theatrical Indication
Use of the Spoken and the Sung Voice with No Text
III. Mixed Forms of Music
Some Works for Harp and Extensions
3. Playing Techniques
I. Timbre
Près de la table (Near the Soundboard)
Bas dans les cordes (Low in the Strings)
Près des chevilles (Near the Tuning Pins)
Harmonic Sound
Sound Using the Fingernail
Koto Sound
Plucked Sound
Vibrated Sound
Portando from One Pitch to Another
Xylo Sound
Pizzicato (Pizz.)
Bartók Pizzicato
Normal Position
Bisbigliando
Tone-Color Melody (Klangfarbenmelodie)
II. Glissandi, Chords, and Clusters
Single Glissando
Fast Glissando
Multiple Glissando
Pitchless Glissandi.
Flat, Broken, Arpeggiated/Rolled Chords
Cluster Glissando
Rasgueado
Cluster Glissando with Thunder Effect
Cluster
Muffled Cluster
Tremolo Cluster
Aeolian Cluster
Various Forms of Rubbing
III. Resonances, Muffles, and Silences
Muffles
Let Vibrate
Fermata
IV. Hits on the Harp
Different Types of Hits
Which Part of the Harp to Hit
Composers Who Have Elaborated a Detailed Notation for Hits
V. Wire Strings
Whistling Sound (With the Palm of the Hand)
Wired Sound (Grabbing a Wire String with the Fingers)
Scrape with a Nail or a Plectrum
Buzz
Thunder Effect
Sustained Thunder Effect
VI. Pedals and Levers
Pedal Glissando
Pedal Trill
Rhythmic Effect with Pedals
Pedal Movement Ad Libitum with Sound Effect
Pedal Buzz
Resonant Pedal Sound
Levers
VII. Using Objects
Metal Rod
Stick
Specific Effects Obtained with a Superball
Use of Percussion Instruments by the Harpist
Bow
Electronic Bow
Plectrum
Other Objects
Prepared Harp
Inserting Materials between the Strings
VIII. Scordatura
Pedal Harp
Lever Harp
Two Harps
Conclusion
Timeline of the Harp, 1900-Present
List of Notations
Bibliography
The History of Music in the Twentieth and Twenty-First Centuries
Contemporary Notation
Musical Instruments: The Orchestra
The Harp
Websites
Repertoire of Works for Harp
Solo Harp
Harp and Extensions
Lever Harp and Extensions
Duets and Harp Ensembles
Concertos
Duets
Trios
Quartets and More
Ensembles and Extensions
Index of Composers Quoted
Index of Playing Techniques.
Notes:
Description based on print version record.
ISBN:
0-253-03939-8
OCLC:
1181906293

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