My Account Log in

1 option

Field notes for the self / Randy Lundy.

Van Pelt Library PR9199.3.L864 F54 2020
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Author/Creator:
Lundy, Randy, 1967- author.
Contributor:
Laura Jan Meyerson Poetry Fund.
Series:
Oskana poetry & poetics
Language:
English
Subjects (All):
Poetry--Canada.
Poetry.
Poetry, Modern.
Canada.
Canadian poetry--21st century.
Canadian poetry.
Poetry, Modern--21st century. and others.
Genre:
Poetry.
Physical Description:
110 pages ; 22 cm.
Place of Publication:
Regina, Saskatchewan, Canada : University of Regina Press, [2020]
Summary:
"Following his acclaimed Blackbird Song, Randy Lundy's fourth collection of poetry modulates the trauma of remembering with the greater spiritual affirmations offered by the natural world. Field Notes for the Self is a series of dark meditations: spiritual exercises in which the poem becomes a forensics of the soul. The poems converse with Patrick Lane, John Thompson, and Charles Wright, but their closest cousins may be Arvo Pärt's tintinnabulations--overlapping structures in which notes or images are rung slowly and repeatedly like bells. The goal is freedom from illusion, freedom from memory, from “the same old stories” of Lundy's violent past; and freedom, too, from the unreachable memories of the violence done to his Indigenous ancestors, which, Lundy tells us, seem to haunt his cellular biology. Rooted in exquisitely modulated observations of the natural world, the singular achievement of these poems is mind itself, suspended before interior vision like a bit of crystal twisting in the light."-- Provided by publisher.
"Following his acclaimed Blackbird Song, Randy Lundy's fourth collection of poetry modulates the trauma of remembering with the greater spiritual affirmations offered by the natural world. Field Notes for the Self is a series of dark meditations: spiritual exercises in which the poem becomes a forensics of the soul. The poems converse with Patrick Lane, John Thompson, and Charles Wright, but their closest cousins may be Arvo P�art's tintinnabulations--overlapping structures in which notes or images are rung slowly and repeatedly like bells. The goal is freedom from illusion, freedom from memory, from (3z (Bthe same old stories (3y (Bof Lundy's violent past; and freedom, too, from the unreachable memories of the violence done to his Indigenous ancestors, which, Lundy tells us, seem to haunt his cellular biology. Rooted in exquisitely modulated observations of the natural world, the singular achievement of these poems is mind itself, suspended before interior vision like a bit of crystal twisting in the light."-- Provided by publisher.
"Following his acclaimed Blackbird Song, Randy Lundy's fourth collection of poetry modulates the trauma of remembering with the greater spiritual affirmations offered by the natural world. Field Notes for the Self is a series of dark meditations: spiritual exercises in which the poem becomes a forensics of the soul. The poems converse with Patrick Lane, John Thompson, and Charles Wright, but their closest cousins may be Arvo Pärt's tintinnabulations--overlapping structures in which notes or images are rung slowly and repeatedly like bells. The goal is freedom from illusion, freedom from memory, from “the same old stories” of Lundy's violent past; and freedom, too, from the unreachable memories of the violence done to his Indigenous ancestors, which, Lundy tells us, seem to haunt his cellular biology. Rooted in exquisitely modulated observations of the natural world, the singular achievement of these poems is mind itself, suspended before interior vision like a bit of crystal twisting in the light."-- Provided by publisher.
"Following his acclaimed Blackbird Song, Randy Lundy's fourth collection of poetry modulates the trauma of remembering with the greater spiritual affirmations offered by the natural world. Field Notes for the Self is a series of dark meditations: spiritual exercises in which the poem becomes a forensics of the soul. The poems converse with Patrick Lane, John Thompson, and Charles Wright, but their closest cousins may be Arvo Pï¿1/2art's tintinnabulations--overlapping structures in which notes or images are rung slowly and repeatedly like bells. The goal is freedom from illusion, freedom from memory, from (3z (Bthe same old stories (3y (Bof Lundy's violent past; and freedom, too, from the unreachable memories of the violence done to his Indigenous ancestors, which, Lundy tells us, seem to haunt his cellular biology. Rooted in exquisitely modulated observations of the natural world, the singular achievement of these poems is mind itself, suspended before interior vision like a bit of crystal twisting in the light."-- Provided by publisher.
Local Notes:
Acquired for the Penn Libraries with assistance from the Laura Jan Meyerson Poetry Fund.
Other Format:
Online version: Lundy, Randy, 1967- Field notes for the self.
ISBN:
9780889776913
0889776911
OCLC:
1111101820
Publisher Number:
99984289779

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account