My Account Log in

1 option

Absence of clutter : minimal writing as art and literature / Paul Stephens.

LIBRA PN56.V54 S74 2020
Loading location information...

Available from offsite location This item is stored in our repository but can be checked out.

Log in to request item
Format:
Book
Author/Creator:
Stephens, Paul, 1974- author.
Language:
English
Subjects (All):
Visual literature--History and criticism.
Visual literature.
Minimalism (Literature).
Art and literature.
Genre:
Criticism, interpretation, etc.
Physical Description:
280 pages ; 24 cm
Place of Publication:
Cambridge, Massachusetts : The MIT Press, [2020]
Summary:
"This book offers the first comprehensive critical account of minimal writing-works of text art, visual literature and poetry that are generally shorter than a sentence. Minimal writing can be beguilingly simple on the surface, but it can also present extreme interpretive challenges. Post-1960s visual art is strongly characterized by the "linguistic turn," and artists such as Lawrence Weiner, Carl Andre, Dan Graham, Joseph Kosuth, Lucy Lippard and Jenny Holzer built highly visible careers from text-based art. Stephens argues that minimal poets working during this same period produced work of equal complexity and power, and shows how minimal writing has enjoyed a recent resurgence among writers working with emergent publication platforms, as well as among those working with computer code. The rise of minimalism in the 1960s can also be understood in relation to new developments in media. Whereas many 60s pop artists and New York School poets gleefully included the detritus of mass culture in their work, minimal and conceptual artists and writers stripped language down to its most basic components. Presented is a pre-history of minimal writing beginning with modernism and continuing through concrete poetry in the 1950s, but the bulk of the book centers on a careful media-archival account of post-1965 poetry and text art"-- Provided by publisher.
Contents:
1 Varieties of the Minimal p. 17
2 Close Viewing / Distant Reading / Readography p. 47
3 Absence of clutter p. 57
4 The Indexical Present p. 69
5 "A Radium of the Word": From Imagism to Concretism p. 77
6 The One-Word Poem p. 93
7 The Transreal p. 111
8 "Really 'Reading In'": Robert Grenier's Sentences p. 127
9 To Icon or Not to Icon p. 149
10 "TOREVERSETHEREVERSE": Molecular Conceptualism p. 185
11 Minimal Maximalism p. 203.
Notes:
Includes bibliographical references and index.
ISBN:
9780262043670
026204367X
OCLC:
1113020549

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account