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The greatest films never seen : the film archive and the copyright smokescreen / Claudy Op den Kamp.
- Format:
- Book
- Author/Creator:
- Op den Kamp, Claudy, 1974- author.
- Series:
- Framing film (Amsterdam, Netherlands)
- Framing Film
- Language:
- English
- Subjects (All):
- Film archives.
- Orphan works (Copyright).
- Physical Description:
- 1 online resource (185 pages) : illustrations.
- Place of Publication:
- Amsterdam : Amsterdam University Press, EYE Filmmuseum, [2018]
- System Details:
- text file
- Contents:
- The Orphan in a Handbag p. 17
- An introduction to the film archive and intellectual property
- The book's approach p. 20
- The film archive: a brief history p. 22
- Archival beginnings p. 22
- Digitization p. 24
- Intellectual property p. 26
- 1 Terra Incognita p. 35
- The Nederlands Filmmuseum/EYE Film Institute Netherlands
- What's in a name? p. 36
- Dichotomy I Creating historical resonance p. 38
- Dichotomy II The need for recategorization p. 43
- 2 A Swiss Bank p. 51
- Recategorization I The embargoed film
- The archive as rights holder p. 52
- Third-party rights holders: Fragile relations p. 53
- Close-Up: ALS Twee Druppels Water ('Like Two Drops of Water') p. 54
- The colourization debate p. 56
- 3 A Handbag p. 65
- Recategorization II The orphan film
- Close-up: De Overval ('the Silent Raid') p. 66
- The 'orphan works problem' and its causes p. 70
- Definition, demarcation, and scope p. 71
- Legal causes p. 74
- Administrative causes p. 79
- Proposed solutions to the orphan works problem p. 81
- Legislative measures p. 81
- Administrative measures p. 84
- 4 A Vehicle of Power p. 95
- Recategorization III The public domain film (or, what orphan films are not)
- Close-up: Beyond the Rocks p. 96
- What is the public domain? p. 100
- The digital skew p. 102
- The public domain and public access p. 103
- The public domain and access to high-quality originals p. 107
- 5 A Birthplace p. 115
- The begotten film
- Found footage, legal provenance, and the 'aesthetics of access' p. 116
- Institutional reuse p. 117
- Noninstitutional reuse p. 122
- The question of the archive p. 125
- 'Bits & Pieces as synecdoche': a challenge to film history p. 126
- 6 The Potential for History-Making p. 133
- Of accidents and activation
- Close-up: The Paper Print Collection p. 134
- Themes and tensions p. 139
- Archival practice, and the 'activation of copyright' p. 139
- Public domain status p. 140
- The potential for (film) history-making p. 140
- The archive and 'doing' history p. 141
- The 'research program' p. 147.
- Notes:
- Includes bibliographical references (pages 167-181) and index.
- Includes filmography: pages 165-166.
- Electronic reproduction. Ann Arbor, MI Available via World Wide Web.
- Description based on print version record.
- ISBN:
- 9789048531042
- 9048531047
- Publisher Number:
- 99984150847
- Access Restriction:
- Restricted for use by site license.
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