My Account Log in

4 options

Hip hop beats, Indigenous rhymes : modernity and hip hop in Indigenous North America / Kyle T. Mays.

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online

eBook Diversity & Ethnic Studies Collection Available online

View online
Format:
Book
Author/Creator:
Mays, Kyle T., 1987- author.
Series:
Native traces.
Native traces
Language:
English
Subjects (All):
Indians of North America--Music--History and criticism.
Indians of North America.
Rap (Music)--History and criticism.
Rap (Music).
Hip-hop--North America.
Hip-hop.
Physical Description:
1 online resource (196 pages).
Edition:
1st ed.
Place of Publication:
Albany : State University of New York Press, 2018.
Summary:
Expressive culture has always been an important part of the social, political, and economic lives of Indigenous people. More recently, Indigenous people have blended expressive cultures with hip hop culture, creating new sounds, aesthetics, movements, and ways of being Indigenous. This book documents recent developments among the Indigenous hip hop generation. Meeting at the nexus of hip hop studies, Indigenous studies, and critical ethnic studies, Hip Hop Beats, Indigenous Rhymes argues that Indigenous people use hip hop culture to assert their sovereignty and challenge settler colonialism. From rapping about land and water rights from Flint to Standing Rock, to remixing "traditional" beading with hip hop aesthetics, Indigenous people are using hip hop to challenge their ongoing dispossession, disrupt racist stereotypes and images of Indigenous people, contest white supremacy and heteropatriarchy, and reconstruct ideas of a progressive masculinity. In addition, this book carefully traces the idea of authenticity; that is, the common notion that, by engaging in a Black culture, Indigenous people are losing their "traditions." Indigenous hip hop artists navigate the muddy waters of the "politics of authenticity" by creating art that is not bound by narrow conceptions of what it means to be Indigenous; instead, they flip the notion of "tradition" and create alternative visions of what being Indigenous means today, and what that might look like going forward.
Contents:
Machine generated contents note: ch. One #NotYourMascot: Indigenous Hip Hop Artists as Modern Subjects
ch. Two The Fashion of Indigenous Hip Hop
ch. Three $t Indigenous Masculinity in Hip Hop Culture: Or, How Indigenous Feminism Can Reform Indigenous Manhood
ch. Four "He's just tryna be black": The Intersections of Blackness and Indigeneity in Hip Hop Culture
ch. Five Rhyming Decolonization: A Conversation with Frank Wain, Sicangu Lakota.
Notes:
Includes bibliographical references and index.
Description based on print version record.
ISBN:
9781438469478
1438469470
OCLC:
992438292

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account