My Account Log in

5 options

Proud raven, panting wolf : carving Alaska's New Deal totem parks / Emily L. Moore.

ACLS Humanities eBook Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost eBook History Collection - North America Available online

View online

Ebook Central Academic Complete Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Author/Creator:
Moore, Emily L. (Emily Lehua), author.
Series:
Art history publication series.
Art history publication initiative books
Language:
English
Subjects (All):
Totem poles--Alaska--History--20th century.
Totem poles.
Parks--Alaska--History--20th century.
Parks.
New Deal art--Alaska.
New Deal art.
Tlingit sculpture--Alaska.
Tlingit sculpture.
Haida sculpture--Alaska.
Haida sculpture.
Indians of North America--Material culture--Alaska.
Indians of North America.
Physical Description:
1 online resource (286 pages) : illustrations, maps.
Edition:
1st ed.
Other Title:
Carving Alaska's New Deal totem parks
Place of Publication:
Seattle : University of Washington Press, [2018]
Summary:
Among Southeast Alaska’s best-known tourist attractions are its totem parks, showcases for monumental wood sculptures by Tlingit and Haida artists. Although the art form is centuries old, the parks date back only to the waning years of the Great Depression, when the US government reversed its policy of suppressing Native practices and began to pay Tlingit and Haida communities to restore older totem poles and move them from ancestral villages into parks designed for tourists.Dramatically altering the patronage and display of historic Tlingit and Haida crests, this New Deal restoration project had two key aims: to provide economic aid to Native people during the Depression and to recast their traditional art as part of America’s heritage. Less evident is why Haida and Tlingit people agreed to lend their crest monuments to tourist attractions at a time when they were battling the US Forest Service for control of their traditional lands and resources.Drawing on interviews and government records, as well as on the histories represented by the totem poles themselves, Emily Moore shows how Tlingit and Haida leaders were able to channel the New Deal promotion of Native art as national art into an assertion of their cultural and political rights. Just as they had for centuries, the poles affirmed the ancestral ties of Haida and Tlingit lineages to their lands.Supported by the Jill and Joseph McKinstry Book FundArt History Publication Initiative. For more information, visit http://arthistorypi.org/books/proud-raven-panting-wolf
Contents:
Cover
Title
Copyright
Contents
Preface: Deep Carving
Gunalchéesh, Háw'aa (Thank You)
Introduction: "For Future Generations"
Chapter One: Archival Claims
Chapter Two: Exacting Copies
Chapter Three: French and English Totems
Chapter Four: John Wallace's Howkan Eagle
Chapter Five: Proud Raven
Chapter Six: The Wolf and the Raven
Chapter Seven: Model Poles and Model Men
Chapter Eight: The Wrangell Potlatch
Epilogue: The Legacy of the CCC
Appendix: The People of the New Deal Totem Parks
Notes
Bibliography
Index.
Notes:
Includes bibliographical references and index.
Description based on print version record.
ISBN:
9780295743943
0295743948
OCLC:
1061863509

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account