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Last words : the public self and the social author in late Medieval England / Sebastian Sobecki.

LIBRA PR255 .S63 2019
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Format:
Book
Author/Creator:
Sobecki, Sebastian I., author.
Contributor:
Albert C. Baugh Book Fund.
Series:
Oxford textual perspectives
Language:
English
Subjects (All):
Lydgate, John, 1370?-1451?.
Hoccleve, Thomas, 1370?-1450?.
Gower, John, 1325?-1408.
English literature.
Criticism and interpretation.
Gower, John, 1325?-1408--Criticism and interpretation.
Gower, John.
Hoccleve, Thomas, 1370?-1450?--Criticism and interpretation.
Hoccleve, Thomas.
Lydgate, John, 1370?-1451?--Criticism and interpretation.
Lydgate, John.
Fortescue, John, Sir, 1394?-1476?.
Fortescue, John.
English literature--Middle English, 1100-1500--History and criticism--Theory, etc.
English literature--Middle English, 1100-1500--History and criticism.
Authors, English--Middle English, 1100-1500.
Authors, English.
Authors, English--Middle English.
English literature--Middle English.
Genre:
Criticism, interpretation, etc.
Physical Description:
x, 226 pages : illustrations, facsimiles ; 21 cm.
Edition:
First edition.
Other Title:
Public self and the social author in late Medieval England
Place of Publication:
Oxford : Oxford University Press, 2019.
Summary:
No medieval text was designed to be read hundreds of years later by an audience unfamiliar with its language, situation, and author. By ascribing to these texts intentional anonymity, we romanticise them and misjudge the social character of their authors. Instead, most medieval poems and manuscripts presuppose familiarity with their authorial or scribal maker. 'Last Words: The Public Self and the Social Author in Late Medieval England' attempts to recover this familiarity and understand the literary motivation behind some of most important fifteenth-century texts and authors.0Last Words captures the public selves of such social authors when they attempt to extract themselves from the context of a lived life. Driven by archival research and literary inquiry, this book reveals where John Gower kept the Trentham manuscript in his final years, how John Lydgate wished to be remembered, and why Thomas Hoccleve wrote his best-known work, the Series. It includes documentary breakthroughs and archival discoveries, and introduces a new life record for Hoccleve, identifies the author of a significant political poem, and reveals the handwriting of John Gower and George Ashby.0Through its investments in archival study, book history, and literary criticism, Last Words charts the extent to which medieval English literature was shaped by the social selves of their authors.
Contents:
1 Ecce patet tensus: The Trentham Manuscript, In Praise of Peace, and John Gower's Autograph Hand p. 19
2 The Series: Thomas Hoccleve's Year of Mourning p. 65
3 Parting Shots: Richard Caudray's Libelle of Englyshe Polycye p. 101
4 Lydgate's Kneeling Retraction: The Testament as a Literary Palinode p. 127
5 The Signet Self: George Ashby's Autograph Writing Afterword: Pragmatic Selves p. 192.
Notes:
Includes bibliographical references (pages [195]-216) and indexes.
Local Notes:
Acquired for the Penn Libraries with assistance from the Albert C. Baugh Book Fund.
ISBN:
9780198790785
0198790783
9780198790778
0198790775
OCLC:
1103986266
Publisher Number:
99983906370

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