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A cultural history of the avant-garde in the Nordic countries 1925-1950 / edited by Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg, Tania Ørum.
LIBRA NX1.A1 A936 36
Available from offsite location
- Format:
- Book
- Series:
- Avant garde critical studies ; 36.
- Avant-garde critical studies, 1387-3008 ; volume 36
- Language:
- English
- Subjects (All):
- Arts, Scandinavian--History--20th century.
- Arts, Scandinavian.
- Avant-garde (Aesthetics)--Scandinavia--History--20th century.
- Avant-garde (Aesthetics).
- Arts and society--Scandinavia--History--20th century.
- Arts and society.
- History.
- Popular culture.
- Scandinavia.
- Genre:
- History.
- Physical Description:
- xxiv, 968 pages : illustrations ; 25 cm.
- Place of Publication:
- Leiden ; Boston : Brill Rodopi, [2019]
- Summary:
- "A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war."--Provided by publisher.
- Contents:
- Intro; A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950; Copyright; Contents; Preface; Notes on Contributors; Introduction; Section 1: Paradigmatic Cases; Introduction to Section 1; Viking Eggeling and European Avant-Garde Cinema; For Our Own Time
- Negotiating Tradition, Modernity and the Avant-Garde at the Stockholm Exhibition 1930; The Kjersmeier Collection of African Art, the Danish Avant-Garde and the Construction of Photographic Meaning; Alvar Aalto around 1930
- Between Modernism and the Avant-Garde; Asger Jorn and Cobra
- A Many-Headed Beast
- Section 2: Legacies and New Directions Introduction to Section 2; Quosego
- Final Blow, Starting Shot; Surrealism in Denmark
- Vilhelm Bjerke-Petersen's Book Surrealismen, 1934; Everybody must participate in everything""
- Cross-Aesthetic Practices in and around the Danish Magazine linien (1934-1939); The Reception of the Halmstad Group in the 1930s; Smile at the World, and It Will Laugh at You
- Helhesten's Folkelig Avant-Garde; The Birth of a Vanguard
- Icelandic Art 1940-1950; Scandinavian Women Artists and the Académie Moderne
- Abstraction, Gender and the Nordic
- Universal Language on National Ground
- Otto G. Carlsund and Art Concret at the Stockholm Exhibition 1930
- Linien II
- A Local Avant-Garde Formation in Postwar Denmark; Section 3: Transmissions, Appropriations and Responses; Introduction to Section 3; To France with Love
- Surrealism, Schadism, Situationism and Jens August Schade; A Nordic Verfremdung
- Bertolt Brecht's Exile in Denmark, Sweden and Finland 1933-1941; Merz in the Mountains: Peripheral Art in a Peripheral Landscape
- On Kurt Schwitters's Norwegian Exile and Artistic Production in Møre og Romsdal, 1937-1940
- Rita Kernn-Larsen
- An International Surrealist Career; From Bauhaus to Bispebjerg
- Edvard Heiberg and the Social Avant-Garde; Corporeal Aesthetics
- Primitivism and the Reception of African American Performing Arts around 1930; Trajectories, Circulations and Geographical Configurations of the Avant-Garde and Modernism in Finland, 1922-1939; Section 4: Institutional Settings; Introduction to Section 4; How Nordic Neue Sachlichkeit, Kulturradikalisme, Transformed Modernism into a Vernacular Avant-Garde; The Engineer and the Avant-Garde
- Concrete Artists in Sweden
- Arne Korsmo, PAGON and "Meccano for the Home"; State-Controlled Avant-Garde?
- Emil Bønnelycke's Radiophonic Portrait of Copenhagen; Nyrki Tapiovaara
- Between Avant-Garde and Mainstream Cinema; In the Absence of the Avant-Garde
- Atonality, Satire and De-Romanticisation in the Musical Life of Norway; Unionalen
- A Travelling Scandinavian Exhibition Platform; A Vanguard Claiming Ground
- Swedish Artists on the Market and within the State 1930-1955
- Avant-Garde Strategies versus Democratisation and ""Popularisation""
- New Artist Roles and Forms of Distribution in the Danish Art World of the Interwar Period
- Section 5: Aesthetic experiments and negotiations; Introdution to section 5; The rise of Danish avant-garde cinema in the 1940s; Gosta Hellstrom and Interwar Avant-Garde film culture in Sweden; The melody that got lost
- a unique example of Avant Garde theatre in Denmark; Dark heerup
- a not so quaint Avant-Gardist; The sunrise and sunset of the Avant-Garde according to William Heinesen; "The clearance sale of ideals"
- Henry Parland and Finland-Swedish literary modernism, 1928-1930
- Hagar Olsson and the soldier of modernism
- war, brutality and borders in the interwar period; Avant-Garde moments in Nykyaikaa etsimassa, , by Olavi Paavolainen; A new approach to language
- Volter Kilpi's Alastalon Salissa (1933); Understandable and revolutionary
- the influence of Russian Avant-Garde picture books in Denmark in the 1930s; Section 6: Ideology, Discourse and Responses; Introduction to section 6; The socio-cultural conditions of the Avant-Gardes in Finland in the 1920s and 1930s; The socialist utopia in Norway and the changing art production and reception; Olav Dalgard
- politics, film, theatre and the Avant-Garde in Norway in the interwar years
- Expo Aleby, 1949
- Wilhelm Freddie, Gosta Kriland and surrealist magic art in Stockholm; Jewishness, internationalism and the Swedish music scene
- The roots of "Scandinavian Design"; Cleansing the domestic evil
- on the degenerate art exhibition in Reykjavik, 1942; Turbulance in Icelandic Art
- Landscape, the Avant-Garde and public discourse in the 1940s; Niels Bukh's functionalist body architecture
- gymnastics between Avant-Garde and popular culture; Wilhelm Freddie
- art and the sexual revolution
- Notes:
- Includes bibliographical references and index.
- Other Format:
- Online version: Cultural history of the avant-garde in the Nordic countries 1925-1950
- ISBN:
- 9789004366794
- 9004366792
- OCLC:
- 1048933381
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