Haptic and Audio Interaction Design : First International Workshop, HAID 2006, Glasgow, UK, August 31 - September 1, 2006, Proceedings / edited by David McGookin, Stephen Brewster.

Format:

Book

Contributor:

McGookin, David, editor.

Brewster, Stephen, 1967- editor.

SpringerLink (Online service)

Series:

Computer Science (Springer-11645)

LNCS sublibrary. Information systems and applications, incl. Internet/Web, and HCI ; SL 3, 4129.

Information Systems and Applications, incl. Internet/Web, and HCI ; 4129

Language:

English

Subjects (All):

Computers.

User interfaces (Computer systems).

Information storage and retrieval.

Application software.

Computers and civilization.

Education--Data processing.

Education.

Theory of Computation.

User Interfaces and Human Computer Interaction.

Information Storage and Retrieval.

Information Systems Applications (incl. Internet).

Computers and Society.

Computers and Education.

Local Subjects:

Theory of Computation.

User Interfaces and Human Computer Interaction.

Information Storage and Retrieval.

Information Systems Applications (incl. Internet).

Computers and Society.

Computers and Education.

Physical Description:

1 online resource (XII, 167 pages).

Edition:

First edition 2006.

Contained In:

Springer eBooks

Place of Publication:

Berlin, Heidelberg : Springer Berlin Heidelberg : Imprint: Springer, 2006.

System Details:

text file PDF

Summary:

Overview The International Workshop on Haptic and Audio Interaction Design was - ganized as part of the EPSRC-funded MultiVis project. The main focus of the workshop was to investigate how the modalities of sound and haptics (touch) could be used together in interaction, and what novel interfaces could be p- vided when they are used in conjunction. What are the relative advantages of each of the modalities when used alone and together? Are there reasons why haptic-based information is moreuseful in certain situations than equivalent - dio information? How can di?erent modalities be used together to create c- pelling and useful interaction with computer-based systems? We posed these questions to researchers around the world, asking them to submit novel work which sought to discover answers. Thirty papers were submitted of which 15 were accepted. Each paper was peer reviewed at least twice using an esteemed set of leading international ?gures from both academia and industry, to whom we are grateful for the quality of their reviews, time, patience and responding within our tight schedule. Thepaperspresentedattheworkshopcomefromawidevarietyofdisciplines ranging from psychology to art, showcasing how haptics and sound can improve user interaction with computers; challenging us to move beyond simple mouse and keyboard metaphors to produce interfaces for devices and applications that allow for the full range of human interactivity. Below the papers are categorized and summarized based on their application and focus.

Contents:

Session: Interaction

Perception of Audio-Generated and Custom Motion Programs in Multimedia Display of Action-Oriented DVD Films

Evaluating the Influence of Multimodal Feedback on Egocentric Selection Metaphors in Virtual Environments

Session: Psychophysics

Haptic-Auditory Rendering and Perception of Contact Stiffness

Designing Haptic Feedback for Touch Display: Experimental Study of Perceived Intensity and Integration of Haptic and Audio

Session: Music and Gesture

Rhythmic Interaction for Song Filtering on a Mobile Device

Lemma 4: Haptic Input + Auditory Display = Musical Instrument?

Session: Visual Impairments I

Navigation and Control in Haptic Applications Shared by Blind and Sighted Users

User Evaluations of a Virtual Haptic-Audio Line Drawing Prototype

Session: Visual Impairments II

Creating Accessible Bitmapped Graphs for the Internet

Supporting Cross-Modal Collaboration: Adding a Social Dimension to Accessibility

Non Visual Haptic Audio Tools for Virtual Environments

Session: Design I

A Semiotic Approach to the Design of Non-speech Sounds

Listen to This - Using Ethnography to Inform the Design of Auditory Interfaces

An Activity Classification for Vibrotactile Phenomena

Session: Design II

Haptic-Audio Narrative: From Physical Simulation to Imaginative Stimulation.

Other Format:

Printed edition:

ISBN:

978-3-540-37596-8

9783540375968

Access Restriction:

Restricted for use by site license.