Cinema after Deleuze / Richard Rushton.

Format:

Book

Author/Creator:

Rushton, Richard.

Series:

Deleuze Encounters.

Deleuze encounters

Language:

English

Subjects (All):

Motion pictures--Philosophy.

Motion pictures.

Deleuze, Gilles, 1925-1995--Criticism and interpretation.

Deleuze, Gilles.

Physical Description:

1 online resource (185 p.)

Edition:

1st ed.

Place of Publication:

London ; New York : Continuum International Pub. Group, c2012.

Language Note:

English

Summary:

CinemaAfter Deleuzeoffers a clear and lucid introduction to Deleuzes writings on cinema whichwill appeal both to undergraduates and specialists in film studies andphilosophy. The book provides explanations of the many categories andclassifications found in Deleuzes two landmark books on cinema and offersassessments of a range of films, including works by John Ford, SergeiEisenstein, Alfred Hitchcock, Michelangelo Antonioni, Alain Resnais and others.Contemporary directors such as Steven Spielberg, Lars von Trier, MartinScorsese and Wong Kar-wai are also examined in the light of Deleuzes theorie

Contents:

Title page; Copyright page; Contents; Acknowledgements; Chapter 1: What Questions does Deleuze's Philosophy of Cinema Answer?; What are the Questions?; Chapter 2: The Movement-Image (I): Griffith, Eisenstein, Gance, Lang; The Movement-Image; D. W. Griffith; Eisenstein and Soviet Montage; Abel Gance and French Impressionism; Fritz Lang and German Expressionism; Chapter 3: The Movement-Image (II): Ford and Kazan; Perception, Action, Affection; The Large Form of the Action-Image: John Ford; Kazan and the American Dream; Chapter 4: The Movement-Image (III): Hawks and Hitchcock

The Small Form of the Action-Image: Howard HawksThe Relation-Image: Alfred Hitchcock; On Vertigo; Chapter 5: The Time-Image (I): Italian Neorealism and After; What is the Time-Image?; Italian Neorealism; Antonioni; Chapter 6: The Time-Image (II): Ophüls and Fellini; The Time of the Time-Image; Time, Memory and the Past; Max Ophüls: Letter from an Unknown Woman, Lola Montès, La ronde; The Crystal-Image; Federico Fellini; Chapter 7: The Time-Image (III): Welles and Resnais; The Actual and the Virtual; Dreaming of an American Uncle

Actual and Virtual, Past and Present: Last Year in Marienbad (1961)Chapter 8: Thought and Cinema; Eisenstein: A Shock to Thought; Godard: To Believe in this World; Belief in this World; Chapter 9: Cinema After Deleuze (I): The Persistence of the Movement-Image; Steven Spielberg: Echoes of the Large Form; Martin Scorsese: Picking up the Pieces of the Small Form; Luc Besson: The Cinéma du Look or the Spectacle-Image; Chapter 10: Cinema After Deleuze (II): Recent Elements of the Time-Image; Lars von Trier: A Cinema Against Ethics; Wong Kar-Wai: The Floating-Image

Abbas Kiarostami: The Open ImageNotes; Chapter 4; Chapter 6; Chapter 7; Chapter 8; Chapter 10; Filmography; Index

Notes:

Includes index.

Description based on publisher supplied metadata and other sources.

Includes bibliographical references and index.

ISBN:

9786613608406

9781441111999

1441111999

9781280578649

1280578645

9781441182883

1441182888

OCLC:

787843590