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The barbarian invasions : a genealogy of the history of art / Éric Michaud, translated by Nicholas Huckle.

Fine Arts Library N6750 .M5313 2019
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Format:
Book
Author/Creator:
Michaud, Eric, author.
Contributor:
Huckle, Nicholas, translator.
Standardized Title:
Invasions barbares. English
Language:
English
French
Subjects (All):
Art, European.
Art and race.
Art--Historiography--History.
Art.
Art--Historiography.
History.
Genre:
History.
Physical Description:
270 pages ; 24 cm
Place of Publication:
Cambridge, Massachusetts : The MIT Press, [2019]
Contents:
1 From "National Taste" to "Racial Style" p. 15
Taste to Style: Social and Biological Transmission p. 24
"As One Man" p. 33
Races-Peoples-Nations: Interfusion and Confusion p. 40
Giovanni Morelli: Racial Markers p. 44
2 Self-Mimesis and Self-Portrait Gods p. 49
The Invention of the Greek Profile p. 52
Self-Portrait Gods and Self-Mimesis p. 68
The Natural Circulus p. 76
The Physiognomical Principle p. 85
3 The Barbarian Invasions and the Racialization of Art History p. 95
Debarbarizing the Barbarians p. 97
Romantic Inversions p. 103
"The Long and Obscure Barbarian Incubation" p. 108
The Kunstwollen of the Germans and Stratified Time p. 113
4 A New Barbarian: The Artless Jew p. 121
"An Odious Travesty of the German Spirit" p. 124
Portraits of Emptiness p. 127
"This Ugly Little Jew" p. 134
The Jew as "Destroyer of Culture" p. 139
A Desert Race p. 145
5 Barbarian Blood: Heredity and Style p. 151
Racial and Linguistic Mixing p. 152
Evolution: From the Ancient Southern Tactility to the Modern Northern Opticality p. 155
Barbarian Blood and the Origins of Gothic Art p. 159
Atavism: Survivals and Reawakenings p. 170
"National Sense of Form" and the Racial Body p. 177
"Rediscovering the Ancient Peoples in the Moderns": Constants in Art and the Persistence of Races p. 185.
Notes:
"October books"
Translated from the French.
Includes bibliographical references and index.
ISBN:
9780262043151
0262043157
OCLC:
1085575419

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