Antiquity or Innovation? Architecture, Sculptures and Murals in Southern Shanxi Under the Yuan Dynasty / Lian Qu.

Format:

Book

Thesis/Dissertation

Author/Creator:

Qu, Lian, author.

Contributor:

Steinhardt, Nancy S., degree supervisor.

University of Pennsylvania. Department of East Asian Languages and Civilizations, degree granting institution.

Language:

English

Subjects (All):

Art history.

Asian history.

Asian studies.

East Asian Languages and Civilizations--Penn dissertations.

Penn dissertations--East Asian Languages and Civilizations.

Local Subjects:

Art history.

Asian history.

Asian studies.

East Asian Languages and Civilizations--Penn dissertations.

Penn dissertations--East Asian Languages and Civilizations.

Genre:

Academic theses.

Physical Description:

1 online resource (206 pages)

Contained In:

Dissertations Abstracts International 81-05A.

Place of Publication:

[Philadelphia, Pennsylvania] : University of Pennsylvania ; Ann Arbor : ProQuest Dissertations & Theses, 2019.

Language Note:

English

System Details:

Mode of access: World Wide Web.

text file

Summary:

The dissertation analyzes the different forms of art - architecture, murals and sculptures - produced in Southern Shanxi from the beginning of the fourteenth century to the early of Ming. The dissertation starts with a case study on the history of Guangshengsi, one of the most prestigious Buddhist monasteries in the region, and one of the best-preserved Yuan architectural complexes of all China. It then examines the extant Yuan architecture of Southern Shanxi, most of which were constructed in two types of structures, diantang and tingtang. It was the tingtang structure that gained increasingly popularity in the first half of the fourteenth century. Surviving Yuan buildings in Southern Shanxi belonged to religious institutions of various kinds, Buddhist and Daoist monasteries, temples and shrines of local beliefs. In many cases, these buildings were decorated with murals and contained religious images in various forms. Unfortunately, because of their high artistic achievements and with few exceptions, murals and sculptures were either lost or found their way to the collections of private collectors and museums. The goal of the conclusion is to put architecture, sculpture and murals into one schematic paradigm. The dissertation begins with a reconstruction of history, to the reconstruction of a monastery layout, and finally in the conclusion, to the reconstruction of the imagery program within a building. The imagery program of the main hall of the Guangsheng Lower Monastery is reconstructed, which answers a final question, to what extent were the art and architecture of Southern Shanxi influenced by Tibetan Lamaism, one that defines the high art during the period of Yuan.

Notes:

Source: Dissertations Abstracts International, Volume: 81-05, Section: A.

Advisors: Steinhardt, Nancy S.; Committee members: Adam Smith; Frank Chance.

Department: East Asian Languages and Civilizations.

Ph.D. University of Pennsylvania 2019.

Local Notes:

School code: 0175

ISBN:

9781088365083

Access Restriction:

Restricted for use by site license.

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