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The portrait's subject : inventing inner life in the nineteenth-century United States / Sarah Blackwood.

Fine Arts Library N7593 .B57 2019
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Format:
Book
Author/Creator:
Blackwood, Sarah, author.
Series:
Studies in United States culture
Language:
English
Subjects (All):
Portraits, American.
Identity (Psychology) in art.
Identity (Psychology) in literature.
Psychology and art.
Physical Description:
xi, 201 pages ; 24 cm.
Place of Publication:
Chapel Hill : University of North Carolina Press, [2019]
Summary:
"Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology"-- Provided by publisher.
Contents:
In the portrait gallery of American literature
Face: Hepzibah's scowl
Head: writing the African American portrait
Limbs: postbellum portraiture and the mind-body problem
Mind/brain: the physiognomy of consciousness
Bones: the x-ray and the inert body
Selfie nation.
Notes:
Includes bibliographical references and index.
ISBN:
9781469652580
1469652587
9781469652597
1469652595
OCLC:
1096221275

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