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Dig : sound and music in hip culture / Phil Ford.
- Format:
- Book
- Author/Creator:
- Ford, Phil, 1969-
- Language:
- English
- Subjects (All):
- Popular music--History and criticism.
- Popular music.
- Music--Social aspects.
- Music.
- Physical Description:
- 1 online resource (321 p.)
- Place of Publication:
- Oxford, UK ; New York : Oxford University Press, 2013.
- Language Note:
- English
- Summary:
- 'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture.
- Contents:
- Cover; Contents; Acknowledgments; Dig (An Introduction); 1. Koan (What Is Hip?); WHAT IS HIP?; THE SUZUKI RHYTHM BOYS; THE DEVIL'S STAIRCASE; THE BLACK SPOT; 2. Somewhere/Nowhere; PRECAMBRIAN; GAME IDEOLOGY; SMART GOES CRAZY; IRONY; MILES AND MONK; SOMEWHERE/NOWHERE; 3. Sound Become Holy (The Beats); SOUND BECOME HOLY; THE SADNESS OF IT ALL; DIGGING WHAT THEY DIG; ASTOUNDING AND PROPHETIC; STENCILED OFF THE REAL; 4. Hip Sensibility in an Age of Mass Counterculture; RIGHT ON, MR. HOROWITZ; THE SQUARE; ASYMMETRICAL CONSCIOUSNESS; ELITISM; MASS CULTURE CRITIQUE
- THE DECLINE OF MIDCENTURY MODERNISM AND THE BIRTH OF POSTMODERNISMSOUND MUSEUM; 5. Mailer's Sound; "THE SOUND IS THE THING, MAN"; ABSTRACTION; WHITENESS; MAILER'S SOUND; ENANTIODROMIA; 6. "Let's say that we're new, every minute" (John Benson Brooks); OFF-MINOR; MUSIC OF THE ISMS; DJOLOGY; CIPHER; MAGICAL HERMENEUTICS; TECHNOLOGIES OF EXPERIENCE; PRACTICE; Endnotes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z
- Notes:
- Description based upon print version of record.
- Description based on online resource; title from home page (viewed on August 26, 2013).
- Includes bibliographical references and index.
- ISBN:
- 0-19-933102-2
- 0-19-993992-6
- OCLC:
- 852158441
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