Identity mediations in Latin American cinema and beyond : culture, music and transnational discourses / edited by Cecilia Nuria Gil Mariño and Laura Miranda.

Format:

Book

Contributor:

Gil Mariño, Cecilia, editor.

Miranda, Laura, editor.

Language:

English

Subjects (All):

Motion pictures--Social aspects--South America--History--20th century.

Motion pictures.

Motion pictures--Social aspects--History--20th century.

National characteristics in motion pictures.

Motion pictures--Social aspects.

History.

South America.

Physical Description:

ix, 395 pages ; 22 cm

Place of Publication:

Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2019.

Contents:

Section 1 Musical Flows in Latin American Classical Cinema: Towards the Configuration of a Model

Chapter 1 The Creation of Imperio Argentina as Film Star p. 10 / Vicente J. Benet

Chapter 2 The Musical Representation of Latin America in Hollywood's First Sound Films (1927-1932) p. 28 / Juan Carlos Poveda

Chapter 3 Intercambios musicales entre Argentina y México: el tango y el bolero como fuentes para la difusión de los cines nacionales p. 48 / Silvana Flores

Chapter 4 O inicio do cinema sonoro no Brasil e os (en)cantos da língua p. 73 / Carlos Roberto de Souza e Suzana Reck Miranda

Chapter 5 Seeing Mexican Music in Así es mi tierra! p. 103 / Carlos Belmonte

Section 2 National Stereotypes Under Consideration: Revisiting the Nationalism-Cosmopolitanism Antinomy

Chapter 6 From The Jazz Singer to La La Land and Some Others In Between p. 128 / Kathryn Kalinak

Chapter 7 Aportaciones musicales de Chucho Monge al nacionalismo mexicano (1934-2014) p. 152 / Eduardo de la Vega Alfaro

Chapter 8 El folclor musical veracruzano en el cine mexicano de los años treinta p. 166 / Rosario Vidal Bonifaz

Section 3 Political Identities: Propaganda and Censorship in 1940s Spain

Chapter 9 Music for Fiction Films During the Spanish Civil War (1936-1939): Identity Functions of the Soundtrack p. 190 / Lidia López Gómez

Chapter 10 Shaping the Collective Imaginary? Writing About Cinema and Music in the Journal Ritmo During the First Years of Francoism p. 211 / Alberto Caparrós Álvarez

Section 4 Musical Syncretism: Global Identities, Local Identities

Chapter 11 Drag Performances in Recent Latin American Documentary: Uses of Voice and Musical Flows p. 232 / Agostina Invernizzi and Ezequiel Lozano

Chapter 12 Baroque, 1989: Construction and Recognition of the Latin American Cultural Identity in Experimental and Musical Cinema p. 242 / Fernando David Maldonado Parrales

Chapter 13 La redención como tópico en films sobre rap y break dance y su apropiación en Argentina: sentidos de una práctica e identidades culturales p. 258 / Ana Sabrina Mora

Chapter 14 The Soundtrack and Construction of a Brazilian Patchwork Identity in the Film Macunaíma p. 277 / Edson Zampronha

Section 5 Identities under Consideration in Contemporary Cinema

Chapter 15 Cinema and Tango (1990-2010): Representations, Market and Politics p. 300 / Marisa Iris Alonso

Chapter 16 The Musicality and Theatrical Referential of The Maias by Eça de Queiroz in the Filmic Narrative of João Botelho - Portuguese Cultural Identity p. 325 / Filomena Antunes Sobral

Section 6 Beyond Western Cinema

Chapter 17 Under-use of Japanese Music for Japanese Characterization in Western Cinema p. 346 / Juan Urdániz Escolano

Chapter 18 Space Configuration in Yasujiro Ozu's Cinema: The Off-screen and the Non-seen in Late Spring, Early Summer and Tokyo Story p. 368 / Susana Palés

Chapter 19 Commemorative Cinema in the USSR: Shaping Soviet Identity p. 383 / Mikel Bueno Urritzelki and Elorri Arcocha Mendinueta.

Notes:

Includes bibliographical references.

ISBN:

9781527538832

1527538834

OCLC:

1122157726

Publisher Number:

99982652060