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Pre-Raphaelite sisters / Jan Marsh ; with contributions by Peter Funnell, Charlotte Gere, Pamela Gerrish Nunn and Alison Smith.
Fine Arts Library N6767.5.P7 M37 2019
Available
- Format:
- Book
- Author/Creator:
- Marsh, Jan, 1942- author.
- Funnell, Peter, 1956- author.
- Gere, Charlotte, author.
- Nunn, Pamela Gerrish, author.
- Smith, Alison, 1962 May 30- author.
- Language:
- English
- Subjects (All):
- Pre-Raphaelites--Exhibitions.
- Pre-Raphaelites.
- Pre-Raphaelites--Criticism and interpretation.
- Pre-Raphaelites--Themes, motives.
- Pre-Raphaelites--Relations with women--Exhibitions.
- Women in art--Exhibitions.
- Women in art.
- Figurative painting, English--19th century--Exhibitions.
- Figurative painting, English.
- Pre-Raphaelites--Relations with women.
- Themes, motives.
- Criticism and interpretation.
- Exhibitions.
- Genre:
- Exhibition catalogs.
- Essays.
- Portraits.
- Illustrated works.
- Physical Description:
- 207 pages : chiefly illustrations (chiefly color), portraits, photographs ; 29 cm
- Place of Publication:
- London, England : National Portrait Gallery Publications, [2019]
- Language Note:
- Text in English.
- Summary:
- When the Pre-Raphaelite Brotherhood (the 'PRB') exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the "Young Painters of England", this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, whileothers were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socialising with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewellery-making -the fine crafts that formed a supportive tier for the "higher" arts of painting and sculpture. And although their backgrounds and life-experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art.00Exhibition: The National Portrait Gallery, London, UK (17.10.2019-06.01.2020).
- Contents:
- Director's Foreword
- Introduction
- Chronology
- Pre-Raphaelite Models / Jan Marsh
- Elizabeth Siddal
- Christina Rossetti
- Effie Gray Millais
- Brotherhoods & Artistic Masculinities / Peter Funnell
- Annie Miller
- Fanny Cornworth
- Joanna Boyce Wells
- Beyond the Parlour / Pamela Gerrish Nunn
- Fanny Eaton
- Jane Morris
- Georgiana Burne-Jones
- Model Wives & Mistresses / Charlotte Gere
- Maria Zambaco
- Marie Spartali Stillman
- Evelyn De Morgan
- The Sisterhood & its Afterlife / Alison Smith.
- Notes:
- Includes bibliographical references and index.
- "Pre-Raphaelite Sisters" : October 17, 2019-January 26, 2020, National Portrait Gallery, London, England, United Kingdom.
- ISBN:
- 1855147270
- 9781855147270
- 1855147920
- 9781855147928
- OCLC:
- 1096471723
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