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Impersonations : The Artifice of Brahmin Masculinity in South Indian Dance / Harshita Mruthinti Kamath.
- Format:
- Book
- Author/Creator:
- Kamath, Harshita Mruthinti, Author.
- Language:
- English
- Subjects (All):
- Brahmans--India, South--Social life and customs.
- Brahmans.
- Female impersonators--India, South--Social life and customs.
- Female impersonators.
- Gender identity in dance--India, South.
- Gender identity in dance.
- Kuchipudi (Dance)--Social aspects--India, South.
- Kuchipudi (Dance).
- Masculinities.
- Gender roles.
- Physical Description:
- 1 online resource (xv, 225 pages) : illustrations; PDF, digital file(s).
- Edition:
- 1st ed.
- Place of Publication:
- Oakland University of California Press 2019
- Berkeley, CA : University of California Press, [2019]
- Language Note:
- In English.
- System Details:
- text file
- Summary:
- Learn more at www.luminosoa.org.Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman's guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries-village to urban, Brahmin to non-Brahmin, hegemonic to non-normative-to explore the artifice of Brahmin masculinity in contemporary South Indian dance.
- Contents:
- Frontmatter
- Contents
- Illustrations
- Acknowledgments
- Note on Transliteration
- Introduction
- 1. Taking Center Stage: The Poet-Saint and the Impersonator of Kuchipudi Dance History
- 2. "I am Satyabhama": Constructing Hegemonic Brahmin Masculinity in the Kuchipudi Village
- 3. Constructing Artifice, Interrogating Impersonation: Madhavi as Vidūṣaka in Village Bhāmākalāpam Performance
- 4. Bhāmākalāpam beyond the Village: Transgressing Norms of Gender and Sexuality in Urban and Transnational Kuchipudi Dance
- 5. Longing to Dance: Stories of Kuchipudi Brahmin Women
- Conclusion: Rewriting the Script for Kuchipudi Dance
- Notes
- Bibliography
- Index
- Notes:
- Description based upon print version of record.
- Includes bibliographical references and index.
- This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0 https://www.degruyter.com/dg/page/open-access-policy
- Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Apr 2020)
- Other Format:
- Print version:
- ISBN:
- 9780520301665
- 0520301668
- OCLC:
- 1083701605
- Access Restriction:
- Unrestricted online access.
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