Resisting spirits : drama reform and cultural transformation in the People's Republic of China / Maggie Greene.

Format:

Book

Author/Creator:

Greene, Maggie (Margaret Caroline), author.

Contributor:

Michigan Publishing (University of Michigan), publisher.

Series:

China understandings today

Language:

English

Subjects (All):

Chinese drama--20th century--History and criticism.

Chinese drama.

Chinese drama--20th century--Political aspects.

Ghosts in literature.

Socialism in literature.

China--Civilization--20th century.

China.

Civilization.

Genre:

Electronic books.

Physical Description:

1 online resource (xvi, 223 pages) : illustrations.

Place of Publication:

Ann Arbor, Michigan : University of Michigan Press, [2019]

System Details:

text file

Summary:

Resisting Spiritsis a reconsideration of the significance and periodization of literary production in the high socialist era, roughly 1953 through 1966, specifically focused on Mao-era culture workers' experiments with ghosts and ghost plays. Maggie Greene combines rare manuscript materials--such as theatre troupes' annotated practice scripts--with archival documents, memoirs, newspapers, and films to track key debates over the direction of socialist aesthetics. Through arguments over the role of ghosts in literature, Greene illuminates the ways in which culture workers were able to make space for aesthetic innovation and contestation both despite and because of the constantly shifting political demands of the Mao era. Ghosts were caught up in the broader discourse of superstition, modernization, and China's social and cultural future. Yet, as Greene demonstrates, the ramifications of those concerns as manifested in the actual craft of writing and performing plays led to further debates in the realm of literature itself: If we remove the ghost from a ghost play, does it remain a ghost play? Does it lose its artistic value, its didactic value, or both? At the heart of Greene's intervention is "just reading": the book regards literature first as literature, rather than searching immediately for its political subtext, and the voices of dramatists themselves finally upstage those of Mao's inner circle. Ironically, this surface reading reveals layers of history that scholars of the Mao era have often ignored, including the ways in which social relations and artistic commitments continued to inform the world of art. Focusing on these concerns points to continuities and ruptures in the cultural history of modern China beyond the bounds of "campaign time."Resisting Spiritsthus illuminates the origins of more famous literary inquisitions, including that surroundingHai Rui Dismissed from Office, by exploring ghost plays such asLi Huiniangthat at first appear more innocent. To the contrary, Greene shows how the arguments surrounding ghost plays and the fates of their authors place the origins of the Cultural Revolution several years earlier, with a radical new shift in the discourse of theatre.

Contents:

1 Demons and Marvels: Early Drama Reform in the PRC p. 24

2 Wandering West Lake: Ma Jianling, Ghost Opera, and Discourses of Mythology and Superstition p. 47

3 Old Trees Blooming: Li Huiniang, Ghost Literature, and the Early 1960s p. 78

4 Resisting Spirits: The Ghost Play Debates of 1963 p. 107

5 Ox Ghost-Snake Spirits and Poisonous Weeds: The Origins of the Cultural Revolution p. 122

6 "Is It Not Fate?": Li Huiniang and the Post-Mao Milieu p. 149.

Notes:

Includes bibliographical references (pages 209-223).

Description based on information from the publisher.

ISBN:

9780472126101

0472126105

Access Restriction:

Restricted for use by site license.