1 option
The museum as a cinematic space : the display of moving images in exhibitions / Elisa Mandelli.
LIBRA PN1995.9.M84 M36 2019
Available from offsite location
- Format:
- Book
- Author/Creator:
- Mandelli, Elisa, author.
- Series:
- Edinburgh studies in film and intermediality
- Edinburgh Studies in Film and Intermediality
- Language:
- English
- Subjects (All):
- Museums in motion pictures.
- Museums and motion pictures.
- Motion pictures--Exhibitions.
- Motion pictures.
- Genre:
- Exhibition catalogs.
- Physical Description:
- xii, 160 pages : illustrations ; 24 cm.
- Place of Publication:
- Edinburgh : Edinburgh University Press, [2019]
- Contents:
- Part I Between History and Modernity: Films in Exhibitions in the Twentieth Century
- 1 Cinema, Museums, Memory and Education p. 17
- 'The ocular evidence that is truthful and infallible pat excellence': Cinema, museums and the preservation of memory p. 17
- The Educational Role of Cinema p. 20
- Cinema, Museums and the Demands of Modern Life p. 21
- 2 'A dimly-lighted corner': Moving Images in Museums in the First Decades of the Twentieth Century p. 27
- Museums and Movies: Cinema at the Imperial Institute p. 27
- Films as Exhibits: Moving Images inside the Museums' Galleries p. 29
- An Archive for the Preservation of Films at the Imperial War Museum p. 31
- Trenches, Tanks and the Explosion of a Mine: Mutoscopes at the Imperial War Museum (1924-38) p. 35
- Exception or Rule? Debating the Use of Moving Images in Museum Galleries p. 40
- 3 Moving Images in Museums, World's Fairs and Avant-garde Exhibition Design p. 46
- Twentieth-century Avant-gardes and Exhibition Design p. 46
- 'The paradise of the exhibitor': Museums and World's Fairs p. 51
- Films at the New York Museum of Science and Industry p. 55
- 4 The Multi-media Museum: The 1960s-70s p. 61
- Museums and Films from UNESCO to World's Fairs p. 61
- The exhibition as A Mosaic: Marshall McLuhan and Harley Parker p. 63
- Museums and the 'AV Revolution' p. 65
- Part II The Museum as a Cinematic Space: Museums and Moving Images in the Twenty-first Century
- 5 From the Museum Experience to the Museum as an Experience p. 73
- From Objects to Visitors: The Virtualisation of the Museum p. 73
- Museums and the 'Experience Economy' p. 75
- Moving images and the Museum Experience p. 78
- 6 Audio-visuals in Exhibitions p. 82
- Archival Footage p. 82
- Documentaries p. 85
- Reconstructions and Fictional Films p. 86
- Video Testimonies p. 87
- 7 The Museum and its Spectres p. 91
- The Mirror and the Portrait: The Widespread Museum of the Resistance in Turin p. 92
- The 'Ghosts' of the Witnesses: The In Flanders Fields Museum p. 96
- Phantasmagoria p. 100
- 8 A Walk through Images p. 105
- Galleries, Projections and Cinematic Effects: The Trento Tunnels p. 106
- A film In space: Peopling the Palaces at Venaria Reale p. 110
- 9 New Interpretations of the Movie Theatre p. 115
- A bit like a large cinema': The Big Picture Show at the Imperial War Museum North p. 116
- A Movie Theatre inside the Museum: The Historial Charles de Gaulle p. 119
- 10 Touching Images p. 124
- Touching, Browsing: Interactive Tables p. 125
- Rewriting space: The Museum Laboratory of the Mind p. 127
- Interactions/Interrelations p. 130.
- Notes:
- Includes bibliographical references and index.
- ISBN:
- 1474416799
- 9781474416795
- OCLC:
- 1039928892
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.