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The Oxford handbook of sound and imagination. Volume 2 / edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard.

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Format:
Book
Contributor:
Grimshaw, Mark, 1963- editor.
Hansen, Mads, editor.
Knakkergaard, Martin, 1955- editor.
Series:
Oxford handbooks online
Oxford handbooks in music.
Language:
English
Subjects (All):
Music--Psychological aspects.
Music.
Sound--Psychological aspects.
Sound.
Imagination.
Physical Description:
1 online resource (664 pages).
Other Title:
Sound and imagination
Place of Publication:
New York : Oxford University Press, 2019.
System Details:
data file
Summary:
Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.
Contents:
Empirical Musical Imagery Beyond the 'Mind's Ear' / Freya Bailes
Musical Shape Cognition / Rolf Inge Godøy
Imaginative Listening to Music / Theodore Gracyk
Musical Analysis and Data Compression / David Meredith
A Different Way of Imagining Sound: Probing the Inner Auditory Worlds of Some Children on the Autism Spectrum / Adam Ockelford
Sound as Environmental Presence: Towards an Aesthetics of Sonic Atmospheres / Ulrik Schmidt
On the Other Side of Time: Afrofuturism and the Sounds of the Future / Erik Steinskog
Sound and Emotion / Erkin Asutay, Daniel Västfjäll
Augmented Unreality: Synesthetic Artworks and Audio-Visual Hallucinations / Jonathan Weinel
Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation / Anne Danielsen
Creating a Brand Image through Music: Understanding the Psychological Mechanisms Behind Audio Branding / Hauke Egermann
Multi-Modal Imagery in the Receptive Music Therapy Model Guided Imagery and Music (GIM) / Lars Ole Bonde
Playing the Inner Ear: Performing the Imagination / Simon Emmerson
The Aesthetics of Improvisation / Andy Hamilton
". . . they call us by our name . . .": Technology, Memory, and Metempsychosis / Bennett Hogg
Imagining the Seamless Cyborg: Computer System Sounds as Embodying Technologies / Daniël Ploeger
Musical Notation as the Externalization of Imagined, Complex Sound / Henrik Sinding-Larsen
Sonic Materialism: Hearing the Arche-Sonic / Salomé Voegelin
Anticipated Sonic Actions and Sounds in Performance / Clemens Wōllner
Voluntary Auditory Imagery and Music Pedagogy / Andrea A. Halpern, Katie Overy
Music and Emergence / John M. Carvalho
A Hopeful Tone: A Waltonian Reconstruction of Bloch's Musical Aesthetics / Bryan J. Parkhurst
Consumer Sound / Søren Bech, Jon Francombe
Posthumanist Voices in Literature and Opera / Jason R. D'Aoust
Systemic Abstractions: The Imaginary Regime / Martin Knakkergaard
Improvisation: An Ideal Display of Imagination in Embodied Imagination / Justin Christensen
Affordances in Real, Virtual, and Imaginary Musical Performance / Marc Duby
Music in Detention and Interrogation: The Musical Ecology of Fear / W. Luke Windsor
Bioacoustics: Imaging and Imagining the Animal World / Mickey Vallee
From Rays to Ra: Music, Physics, and the Mind / Janna K. Saslaw, James P. Walsh
Motor Imagery in Perception and Performance of Sound and Music / Jan Schacher
Introduction / Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard.
Notes:
Includes bibliographical references and index.
Description based on online resource; title from home page (viewed on August 6, 2019).
Other Format:
Print version :
ISBN:
9780190460266
Access Restriction:
Restricted for use by site license.

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