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Music Practices Across Borders (E)Valuating Space, Diversity and Exchange Glaucia Peres da Silva, Konstantin Hondros

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Format:
Book
Contributor:
Peres da Silva, Glaucia <p>Glaucia Peres da Silva, Universität Duisburg-Essen, Deutschland</p>, Editor.
Hondros, Konstantin <p>Konstantin Hondros, Universität Duisburg-Essen, Deutschland</p>, Editor.
OGeSoMo, Funder.
Series:
Musik und Klangkultur
Language:
English
Subjects (All):
Music Practices.
Migration.
Evaluation.
Transnational.
Music.
Globalization.
Musicology.
Interculturalism.
Sociology of Culture.
Local Subjects:
Music Practices.
Migration.
Evaluation.
Transnational.
Music.
Globalization.
Musicology.
Interculturalism.
Sociology of Culture.
Physical Description:
1 online resource (214 p.)
Edition:
1st ed.
Other Title:
Peres da Silva/Hondros (eds.), Music Practices Across Borders (E)Valuating Space, Diversity and Exchange
Place of Publication:
Bielefeld transcript Verlag 2019
Language Note:
English.
Biography/History:
Glaucia Peres da Silva (Dr.) works as assistant professor at the Institute of Sociology at the University of Duisburg-Essen. Her research focuses on global markets and music.
Konstantin Hondros works as a research associate at the Institute of Sociology at the University of Duisburg-Essen. His research focuses on evaluation, music, and copyright.
Summary:
Connecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Conceiving music as a practice not confined to audibility, the contributions reveal how music emerges in concrete situations through people, objects, techniques, meanings, and emotions in different parts of the world and during different historic periods. Values are thereby created and shared, and creative processes are evaluated in terms of diversity, space and exchange.This book presents cases of contemporary, popular and traditional music, festivals and trade fairs, albums and band projects, shedding light on the tensions between the transfer, reconstruction and creation of music in different contexts.
Contents:
Frontmatter 1 Content 5 Introduction-Music practices across borders 7 Valuation in a reversed economy 41 Culture, creativity and practice 61 "Come and expose yourself to the fantastic music from around the world" 85 From desire for recognition to desire for independence 105 The invention of African art music 127 Contemplating musical life in Tunisia under the French protectorate-the society and challenges 151 The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century 167 Brazilian grooves and cultured clichés 191 About the authors 211
Notes:
This eBook is made available Open Access under a CC BY 4.0 license: https://creativecommons.org/licenses/by/4.0 http://www.transcript-verlag.de/open-access-bei-transcript
ISBN:
9783839446676
3839446678
OCLC:
1105916920
Access Restriction:
Unrestricted online access

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