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The literary mind and the carving of dragons / by Liu Hsieh ; translated by Vincent Yu-chung Shih.

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Ebook Central University Press Available online

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Format:
Book
Author/Creator:
Liu, Xie, approximately 465-approximately 522, author.
Contributor:
Shi, Youzhong, 1902- translator.
Series:
Calligrams.
Calligrams
Standardized Title:
Wen xin diao long. English
Language:
Chinese
English
Subjects (All):
Chinese literature--History and criticism--Theory, etc.
Chinese literature.
Physical Description:
1 online resource (lxix, 352 pages )
Edition:
New revised edition.
Place of Publication:
Hong Kong : The Chinese University of Hong Kong Press ; New York, New York : NYRB, New York Review Books, [2015]
Language Note:
English
Summary:
The world is filled with ten thousand things in confusion: Never overtax your literary thought.The Literary Mind and the Carving of Dragons is the first comprehensive work of literary criticism in Chinese, and one that has been considered essential reading for writers and critics since it was written some 1, 500 years ago. A vast compendium of all that was known about Chinese literature at the time, it is simultaneously a taxonomy and history of genres and styles, and a manual for good writing. Its chapters, organized according to the I Ching, cover such topics as "Emotion and Literary Expression, " "Humor and Enigma, " "Spiritual Thought or Imagination, " "The Nourishing of Vitality, ""Organization, " and "Literary Flaws.""Mind" is the ideas, impressions, and emotions that take form-the "carving of the dragon"-in a literary work. Full of examples and delightful anecdotes drawn from Liu Hsieh's encyclopedic knowledge of Chinese literature, readers will discover distinctive concepts and standards of the art of writing that are both familiar and strange. The Literary Mind and the Carving of Dragons is not only a summa of classical Chinese literary aesthetics but also a wellspring of advice from the distant past on how to write.
Contents:
Intro
Title Page
Copyright
Dedication
Contents
Introduction
Preface (Hsü-chih)
I. On Tao, the Source (Yüan-Tao)
II. Evidence from the Sage (Cheng-sheng)
III. The Classics as Literary Sources (Tsung-ching)
IV Emendation of Apocrypha (Cheng-wei)
V. An Analysis of Sao (Pien-Sao)
VI. An Exegesis of Poetry (Ming-shih)
VII. Musical Poetry (Yüeh-fu)
VIII. Elucidation of Fu (Ch'üan-fu)
IX. Ode and Pronouncement (Sung Tsan)
X. Sacrificial Prayer and Oath of Agreement (Chu Meng)
XI. Inscription and Exhortation (Ming Chen)
XII. Elegy and Stone Inscription (Lei Pei)
XIII. Lament and Condolence (Ai Tiao)
XIV. Miscellaneous Writings (Tsa-wen)
XV. Humor and Enigma (Hsieh Yin)
XVI. Historical Writings (Shih-chuan)
XVII. Speculative Writings (Chu-tzu)
XVIII. Treatise and Discussion (Lun Shuo)
XIX. Edict and Script (Chao Ts'e)
XX. War Proclamation and Dispatch (Hsi I)
XXI. Sacrifices to Heaven and Earth (Feng-shan)
XXII. Memorial, Part I (Chang Piao)
XXIII. Memorial, Part II (Tsou Ch'i)
XXIV. Discussion and Answer (I Tui)
XXV. Epistolary Writing (Shu Chi)
XXVI. Spiritual Thought or Imagination (Shen-ssu)
XXVII. Style and Nature (T'i-hsing)
XXVIII. The Wind and the Bone (Feng-ku)
XXIX. Flexible Adaptability to Varying Situations (T'ung-pien)
XXX. On Choice of Style (Ting-shih)
XXXI. Emotion and Literary Expression (Ch'ing-ts'ai)
XXXII. Casting and Cutting, or, on Editing of Ideas and Rhetoric (Jung-ts'ai)
XXXIII. Musicalness (Sheng-lü)
XXXIV. Paragraph and Sentence (Chang-chü)
XXXV. Linguistic Parallelism (Li-tz'u)
XXXVI. Metaphor (Pi Hsing)
XXXVII. Hyperbole (K'ua-shih)
XXXVIII. Factual Allusion and Textual Reference (Shih-lei)
XXXIX. Philology and Choice of Words (Lien-tzu)
XL. The Recondite and the Conspicuous (Yin-hsiu).
XLI. Literary Flaws (Chih-hsia)
XLII. The Nourishing of Vitality (Yang-ch'i)
XLIII. Organization (Fu-hui)
XLIV. Discussion on the Art of Writing (Tsung-shu)
XLV. Literary Development and Time (Shih-hsü)
XLVI. The Physical World (Wu-se)
XLVII. Literary Talents (Ts'ai-lüeh)
XLVIII. An Understanding Critic (Chih-yin)
XLIX. The Capacity of a Vessel (Ch'eng-ch'i).
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references.
Description based on print version record.
ISBN:
9789629969318
9629969319
OCLC:
962777735

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