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Cambre : mano de obra / [curaduría : Lara Marmor ; textos : Lara Marmor, Ezequiel Alemian]

Fine Arts Library ND339.C25 A4 2017
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Format:
Book
Author/Creator:
Cambre, Juan José, 1948- artist.
Contributor:
Mormor, Lara, curator, writer of added commentary.
Alemian, Ezequiel, 1968-
Colección de Arte Amalia Lacroze de Fortabat, host institution.
Fundación "Alfredo Fortabat y Amalia Lacroze de Fortabat", issuing body.
Class of 1953 Fund.
Standardized Title:
Works. Selections
Language:
Spanish
Subjects (All):
Colección de Arte Amalia Lacroze de Fortabat--Catalogs.
Colección de Arte Amalia Lacroze de Fortabat.
Painting, Argentine--21st century--Exhibitions.
Painting, Argentine.
Painting, Abstract--Argentina--21st century--Exhibitions.
Painting, Abstract.
Color in art--21st century--Exhibitions.
Color in art.
Argentina.
Genre:
Catalogs.
Exhibition catalogs.
Physical Description:
107 pages : illustrations ; 25 cm
Edition:
1a. edición ilustrada.
Other Title:
Mano de obra
Place of Publication:
Buenos Aires : Fundación Amalia Lacroze de Fortabat, 2017.
Language Note:
In Spanish.
Summary:
Juan José Cambre (b. Ramos Mejía, Argentina 1948) is considered now one of most influential living artists in Argentina through a career spanning more than three decades. Architect by formation, he begins his career as an artist in the seventies. In the nineties he painted pots with the aim of concentrating on the study of plastic elements, such as perspective or the relationship between figure and background. The vases were followed by several series of printed photographs and paintings. "Each new phase of the artist's career takes place when he discovers and incorporates a new method of work, which in the case of Cambre can be the pots, points, reflections or shadows." (HKB Translation) --Page 29.
Juan José Cambre (b. Ramos Mejía, Argentina 1948) is considered now one of most influential living artists in Argentina through a career spanning more than three decades. Architect by formation, he begins his career as an artist in the seventies. In the nineties he painted pots with the aim of concentrating on the study of plastic elements, such as perspective or the relationship between figure and background. The vases were followed by several series of printed photographs and paintings. "Each new phase of the artist's career takes place when he discovers and incorporates a new method of work, which in the case of Cambre can be the pots, points, reflections or shadows." (HKB Translation) --Page 29.
Contents:
Diario de una exposición / Lara Marmor
Un balde con papel picado (impresiones sobre 23 monocromos de Artforum) / Ezequiel Alemian
Juan José Cambre.
Notes:
"Cambre: mano de obra. Colección Amalia Lacroze de Fortabat. Del 4 de mayo al 30 de julio de 2017. Buenos Aires Argentina."--Verso Tilte Page.
Pages 67-107 printed on smaller size paper (22 cm)
Local Notes:
Acquired for the Penn Libraries with assistance from the Class of 1953 Fund.
ISBN:
9789874652003
9874652004
OCLC:
1100998139

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