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Sound Design for Low and No Budget Films

O'Reilly Online Learning: Academic/Public Library Edition Available online

O'Reilly Online Learning: Academic/Public Library Edition
Format:
Book
Author/Creator:
Winters, Patrick, author.
Language:
English
Subjects (All):
Sound motion pictures.
Sound--Recording and reproducing.
Motion pictures--Sound effects.
Physical Description:
1 online resource (281 pages)
Edition:
1st edition
Place of Publication:
London : Taylor and Francis, 2017.
System Details:
text file
Summary:
"Don't let your indie film be sabotaged by bad sound! One of the weakest technical aspects of a low or no budget short or feature film is usually the sound, and in Sound Design for Low and No Budget Films, author Patrick Winters explains what filmmakers need to do to fix that. Learn how to improve the sound quality of your low budget film with specific tools and practices for achieving a better sound track, including detailed, step-by-step explanations of how to edit your production track, create a sound design, record and edit ADR, Foley and sound effects,music, and much more. Focusing on the essential details indie filmmakers need to know, Winters teaches you how to turn a thin and distracting sound track into one that makes your film shine. This practical guide offers: In-depth focus on hands-on, step-by-step instruction for achieving great sound in post-production, including recording and editing sound effects, ADR and Foley - even without expensive equipment and software. Techniques specifically designed for low and no budget projects, perfect for both students and aspiring indie filmmakers. A simple and direct style that any aspiring filmmaker or student can understand without already knowing the industry jargon."--Provided by publisher.
Contents:
chapter 1 Introduction
chapter 2 Location Sound
How Was That for Sound?
chapter 3 Sound Design
chapter 4 Dialogue Editing
It's Work, Not Magic
chapter 5 ADR
What Did They Say?
chapter 6 Walla/Group/Loop Group/Group ADR/Rhubarb
Why Can't I Hear Them?
chapter 7 Narration
It Isn't Dialogue
chapter 8 Sound Effects
Creating Reality
chapter 9 Foley
Who or What is Foley?
chapter 10 Background
What's an Ambience, Atmosphere or Background?
chapter 11 Musical Score
In the Mood?
chapter 12 Mixing Myself Preparation
chapter 13 Premixing or Predubbing and DSP
chapter 14 Mixing Myself
chapter 15 Studio Mix
chapter 16 Deliverables
chapter 17 Summary.
Notes:
Includes bibliographical references.
Description based on print version record.
"Part Number: 155296"
ISBN:
9781315733425
1315733420
9781317557937
131755793X
9781317557920
1317557921
OCLC:
985322378

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