The filmmaker's guide to Final Cut Pro workflow / Dale Angell.

Format:

Book

Author/Creator:

Angell, Dale.

Contributor:

Safari, an O'Reilly Media Company.

Language:

English

Subjects (All):

Final cut (Electronic resource).

Motion pictures--Editing--Data processing.

Motion pictures.

Physical Description:

1 online resource (267 p.)

Edition:

1st edition

Place of Publication:

Amsterdam ; Boston : Focal Press, c2008.

Language Note:

English

System Details:

text file

Summary:

The Filmmaker's Guide to Final Cut Pro Workflow is the comprehensive roadmap to affordable postproduction workflow using Final Cut Pro, Cinema Tools, and Pro Tools. Illuminating workflow and the interrelationship of these software applications, it also focuses on cost saving and efficiency, aiding low-budget, independent moviemakers as well as students trying to take their skills to the professional level. Author Dale Angell offers a practical guide to complete film postproduction workflow, describing low-cost workflow that can be used for 35mm film, High Definition digital video, or DV/Red Camera. The Filmmaker's Guide to Final Cut Pro Workflow will help the independent filmmaker working on a tight budget: . Understand capturing picture when shooting on film or digital video . Finishing the project on either film or video . Audio edit workflows for both film and video . Comprehend NTSC and PAL video as well as modern digital video formats . Understand timecode and the file architecture in Final Cut Pro, Cinema Tools, and Pro Tools.

Contents:

Cover; Copyright page; Table of contents; A Letter from the Author; Introduction; The Kodak 35 mm Project; Chapter 1: When Shooting on Film; The Film Format; Telecine; Reverse Telecine for Film and 24P Finish; Reversing Telecine in Cinema Tools; Workflow Overview; Capturing and Preparing Lost Hope and More; Chapter 2: When Shooting Digital Video; Shooting Standard Definition Video at 29.97 FPS; Shooting Standard Definition Digital Video at 24P (23.98); 24PA ?AdvancedŽ Video Capture; Mixing DV Formats; Shooting HD Digital Video at 23.98 or 24 FPS; Capturing in ProRes 422; Tapeless Capture

Red Camera RedcodeCapturing and Preparing Success and Son from the Ocean of Storms by Glynn Beard; Chapter 3: Initial Audio Workflow, Importing Production Audio, and Syncing; The Production Audio Recorder; Pull Down when Shooting Film; Hard Lock Versus Soft Lock; Smart Slate; Capturing Audio; Syncing in Final Cut Pro; Initial Audio Workflow on Lost Hope and More, Success, and Son; Chapter 4: Editing Picture to Lock; Beginning the Edit; Adding Film Dailies to the Picture Edit; Adding Digital Dailies to the Picture Edit; Problems in Timeline Editing; Changes After the Edit Is Locked

Editing Lost Hope and More to a Locked CutChapter 5: Finishing on Film; Film Editing Basics; Brief Discussion of Film and Printing; Prints, Film Wind, and Printers; Key Code on Film; Reel Length; Exporting Cut Lists; Pulling and Conforming Work Print; Cutting the Negative; Anamorphic Film Finish; Finishing on Film with Digital Intermediate; Titles in Digital Intermediate; Scanning to Digital Intermediate; Conforming Digital Intermediate; Color Correction in Digital Intermediate; Film Recording; Virtual Film; Virtual Digital Intermediate; Requiem for the Negative Cutter

Appendix 1: Understanding the NTSC Video Format and Digital Video

Notes:

Includes index.

OCLC-licensed vendor bibliographic record.

ISBN:

9786611024628

9781136060618

1136060618

9781281024626

1281024627

9780080551630

0080551637

OCLC:

437204622

Publisher Number:

YE21699

9780240809861