Editing digital film : integrating Final Cut Pro, Avid, and Media 100 / Jaime Fowler.

Format:

Book

Author/Creator:

Fowler, Jaime.

Language:

English

Subjects (All):

Advancement Via Individual Determination (Program).

Final cut (Electronic resource).

Motion pictures--Editing--Data processing.

Motion pictures.

Digital video--Editing--Data processing.

Digital video.

Physical Description:

1 online resource (191 p.)

Edition:

1st edition

Place of Publication:

Boston : Focal Press, c2001.

Language Note:

English

System Details:

text file

Summary:

At long last, film and video editors are using the same systems to edit their projects, and Editing Digital Film is the guide to show them how to do it. This concise reference provides video and film editors familiar with the Avid, Media 100, and Final Cut Pro systems with crucial information they will need to edit on all three of these systems. In addition to showing film editors and directors working on DV projects how to edit for this new format, this text also clarifies the NLE process to those familiar with traditional film editing.With its

Contents:

Front Cover; Editing Digital Film; Copyright Page; Contents; Preface; Acknowledgements; Chapter 1: Tools of the Film Editor; A Tour of the Film Cutting Room; Film Gauges and Shooting Formats; Anamorphics; Soft Mattes versus Hard Mattes; Camera Rolls and Sound Rolls; Numbering Formats; Ink Numbers; Key Numbers; Time Code; Production Notes; Script Supervisor Daily Log; Facing Pages; Lined Scripts; Camera Reports; Sound Reports; Code Books; Slates; When Good Notes Go Bad; Chapter 2: Post Production Workflow; Three Workflow Scenarios; The High-Budget Film Workflow; The Medium-Budget Film Workflow

The Ultra-Low-Budget Film WorkflowDV Film Workflow; Chapter 3: Telecine Demystified; The Components of Telecine; Methods of Transfer; NTSC Telecine; PAL Telecine; Telecine Considerations; Telecine Options; Chapter 4: Conforming a Workprint; Getting Started; Creating and Balancing the Reels; Adding SMPTE Leader on the NLE; The Pull List; Starting the Conform; Splicing It Together; Opticals; Marking Workprint for Motor Start and Changeover; Sound; Continuity Reports; Chapter 5: Cut Lists; Negative Cutters; Types of Cut List; The Assemble List; Frame Handles; The Dupe List; The Optical List

The Pull ListLok Box; Conformed Workprint; Chapter 6: 24 fps versus Matchback; NTSC: 24 fps Projects; NTSC Matchback; PAL 25 at 24 fps Projects (Telecine B); 1:1 PAL Frame Correspondence (Telecine A); PAL Sound and Picture Digitized Together; PAL Sound and Picture Digitized Separately; A Final Note; Chapter 7: Editing Film on Avid NLEs with FilmScribe; Converting Telecine Files; Setting up the Project; Adjusting Film Settings; Importing ALE Files; Combining Events Based on Scene Number; Combining Events Based on Camera Roll; Merging Events with Known Sources; Checking Key Numbers

One Frame DelaysFrame Miscounts; Mislabeled or Duplicate Numbered Tapes; Using Autosync; Film Effects; Film Dissolves; Mattes; Blow-ups; Script Integration; Using FilmScribe; Unique Items for Individual Types of Cut Lists; Change Lists; Preview Code; Quicktime Options; Exporting Audio; Digital Cut; OMF; The OMF Export; Exporting an EDL; Saving the EDL; Some Important Notes about Saving EDLs; Outputting Video; Chapter 8: Editing Film on Media 100 NLEs with Slingshot Pro; About Media 100; About Slingshot and Trakker Technologies; Drag and Drop Functionality; Supported Telecine Logs; Import Logs

TLC FilesDailies Log; Log Conversion Procedure; TLC Preferences; Choosing Destinations; Enable Tracks; Syntax Error Correction; Synching Picture with Sound in Media 100; Film Trakker; Film Trakker Preferences; Format; Check Syntax on All Inputs; Flag and Match Unknown Tape Names; Disable SyncLock; Show EDL Comments; Use Feet + Frames vs. Absolute Frames; Cut List Options; Cut List; Dupe Lists; Dupe List Options; Pull List; Pull List Options; Optical List; Optical List Options; Creating the Cut Lists; The Sound Tracer; Sound Tracer Preferences; Running the Lists

Chapter 9: Editing Film on Final Cut Pro NLEs with FilmLogic

Notes:

Description based upon print version of record.

Includes bibliographical references (p. [175]) and index.

ISBN:

9781136043376

1136043373

9780080505053

0080505058

9781283839358

1283839350

9781136043383

1136043381

OCLC:

819635767