DAFX : digital audio effects / edited by Udo Zolzer.

Format:

• Book

Author/Creator:

• Zolzer, Udo.

Language:

English

Subjects (All):

• Computer sound processing.
• Signal processing--Digital techniques.
• Sound--Recording and reproducing--Digital techniques.

Physical Description:

1 online resource (xxi, 602 pages)

Edition:

2nd ed.

Place of Publication:

Chichester, West Sussex : Wiley, 2011.

Language Note:

English

System Details:

text file

Summary:

"This book investigates digital signal processing, its application to sound, and how its effects on sound can be used within music. The first edition developed in association with the annual International Conference on Digital Audio Effects, and this book have been critical in the advancement of the field, both in research and industry. Rapid development in different fields of Digital Audio Effects has led to new algorithms, and this new edition will combine these with improved presentation of the basic concepts and discussion of the related technology. It will cover filters and delays, modulators and demodulators, nonlinear processing, spatial effects, time-segment processing, time-frequency processing, source-filter processing, spectral processing, time and frequency warping musical signals, as well as completely new chapters on the recent developments in virtual analog effects, automatic mixing, and sound source separation. Each effect description will begin with a presentation of the physical and acoustical phenomena, followed by an explanation of the signal processing techniques to achieve the effect, and some musical applications and the control of effect parameters"-- Provided by publisher.

Contents:

• Preface
• List of Contributors
• 1 Introduction (V. Verfaille, M. Holters, U. Zölzer)
• 1.1 Digital Audio Effects DAFX with MATLAB
• 1.2 Classifications of DAFX
• 1.3 Fundamentals of Digital Signal Processing
• 1.4 Conclusion
• Bibliography
• 2 Filters and Delays (P. Dutilleux, M. Holters, S. Disch, U. Zölzer)
• 2.1 Introduction
• 2.2 Basic Filters
• 2.3 Equalizers
• 2.4 Time-varying Filters
• 2.5 Basic Delay Structures
• 2.6 Delay-based Audio Effects
• 2.7 Conclusion
• Sound and Music
• 3 Modulators and Demodulators (P. Dutilleux, M. Holters, S. Disch, U. Zölzer)
• 3.1 Introduction
• 3.2 Modulators
• 3.3 Demodulators
• 3.4 Applications
• 3.5 Conclusion
• 4 Nonlinear Processing (P. Dutilleux, K. Dempwolf, M. Holters, U. Zölzer)
• 4.1 Introduction
• 4.2 Dynamic Range Control
• 4.3 Musical Distortion and Saturation Effects
• 4.4 Exciters and Enhancers
• 4.5 Conclusion
• 5 Spatial Effects (V. Pulkki, T. Lokki, D. Rocchesso)
• 5.1 Introduction
• 5.2 Concepts of spatial hearing
• 5.3 Basic spatial effects for stereophonic loudspeaker and headphone playback
• 5.4 Binaural techniques in spatial audio
• 5.5 Spatial audio effects for multichannel loudspeaker layouts
• 5.6 Reverberation
• 5.7 Modeling of room acoustics
• 5.8 Other spatial effects
• 5.9 Conclusion
• 5.10 Acknowledgements
• References
• 6 Time-Segment Processing (P. Dutilleux, G. De Poli, A. von dem Knesebeck, U. Zölzer)
• 6.1 Introduction
• 6.2 Variable Speed Replay
• 6.3 Time Stretching
• 6.4 Pitch Shifting
• 6.5 Time Shuffling and Granulation
• 6.6 Conclusion
• References.
• 7 Time-Frequency Processing (D. Arfib, F. Keiler, U. Zölzer, V. Verfaille, J. Bonada)
• 7.1 Introduction
• 7.2 Phase Vocoder Basics
• 7.3 Phase Vocoder Implementations
• 7.4 Phase Vocoder Effects
• 7.5 Conclusion
• 8 Source-Filter Processing (D. Arfib, F. Keiler, U. Zölzer, V. Verfaille).
• 8.1 Introduction
• 8.2 Source-Filter Separation
• 8.3 Source-Filter Transformations
• 8.4 Conclusion
• 9 Adaptive Digital Audio Effects (V. Verfaille, D. Arfib, F. Keiler, A. von dem Knesebeck, U. Zölzer)
• 9.1 Introduction
• 9.2 Sound-Feature Extraction
• 9.3 Mapping Sound Features to Control Parameters
• 9.4 Examples of Adaptive DAFX
• 9.5 Conclusions
• 10 Spectral Processing (J. Bonada, X. Serra, X. Amatriain, A. Loscos)
• 10.1 Introduction
• 10.2 Spectral Models
• 10.3 Techniques
• 10.4 Effects
• 10.5 Conclusions
• 11 Time and Frequency Warping-Musical Signals (G. Evangelista)
• 11.1 Introduction
• 11.2 Warping
• 11.3 Musical Uses of Warping
• 11.4 Conclusion
• 12 Virtual Analog Effects (V. Vl̃imk̃i, S. Bilbao, J. O. Smith, J. S. Abel, J. Pakarinen, D. Berners)
• 12.1 Introduction
• 12.2 Virtual Analog Filters
• 12.3 Circuit-Based Valve Emulation
• 12.4 Electromechanical Effects
• 12.5 Tape-Based Echo Simulation
• 12.6 Antiquing of Audio Files
• 12.7 Conclusion
• 13 Automatic Mixing (E. Perez-Gonzalez, J. D. Reiss)
• 13.1 Introduction
• 13.2 AM-DAFX
• 13.3 Cross-adaptive AM-DAFX
• 13.4 AM-DAFX Implementations
• 13.5 Conclusion
• 14 Sound Source Separation (G. Evangelista, S. Marchand, M. D. Plumbley, E. Vincent)
• 14.1 Introduction
• 14.2 Binaural Source Separation
• 14.3 Source Separation from Single-Channel Signals
• 14.4 Applications
• 14.5 Conclusions
• Acknowledgments
• Glossary
• Index.

Notes:

• Description based upon print version of record.
• Description based on PDF viewed 10/24/2017.
• Includes bibliographical references and index.

ISBN:

• 9786613405319
• 9780470979679
• 0470979674
• 9781283405317
• 1283405318
• 9781119991304
• 1119991307
• 9781119991298
• 1119991293

OCLC:

711779424