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DAFX : digital audio effects / edited by Udo Zolzer.

O'Reilly Online Learning: Academic/Public Library Edition Available online

O'Reilly Online Learning: Academic/Public Library Edition
Format:
Book
Author/Creator:
Zolzer, Udo.
Language:
English
Subjects (All):
Computer sound processing.
Signal processing--Digital techniques.
Sound--Recording and reproducing--Digital techniques.
Physical Description:
1 online resource (xxi, 602 pages)
Edition:
2nd ed.
Place of Publication:
Chichester, West Sussex : Wiley, 2011.
Language Note:
English
System Details:
text file
Summary:
"This book investigates digital signal processing, its application to sound, and how its effects on sound can be used within music. The first edition developed in association with the annual International Conference on Digital Audio Effects, and this book have been critical in the advancement of the field, both in research and industry. Rapid development in different fields of Digital Audio Effects has led to new algorithms, and this new edition will combine these with improved presentation of the basic concepts and discussion of the related technology. It will cover filters and delays, modulators and demodulators, nonlinear processing, spatial effects, time-segment processing, time-frequency processing, source-filter processing, spectral processing, time and frequency warping musical signals, as well as completely new chapters on the recent developments in virtual analog effects, automatic mixing, and sound source separation. Each effect description will begin with a presentation of the physical and acoustical phenomena, followed by an explanation of the signal processing techniques to achieve the effect, and some musical applications and the control of effect parameters"-- Provided by publisher.
Contents:
Preface
List of Contributors
1 Introduction (V. Verfaille, M. Holters, U. Zölzer)
1.1 Digital Audio Effects DAFX with MATLAB
1.2 Classifications of DAFX
1.3 Fundamentals of Digital Signal Processing
1.4 Conclusion
Bibliography
2 Filters and Delays (P. Dutilleux, M. Holters, S. Disch, U. Zölzer)
2.1 Introduction
2.2 Basic Filters
2.3 Equalizers
2.4 Time-varying Filters
2.5 Basic Delay Structures
2.6 Delay-based Audio Effects
2.7 Conclusion
Sound and Music
3 Modulators and Demodulators (P. Dutilleux, M. Holters, S. Disch, U. Zölzer)
3.1 Introduction
3.2 Modulators
3.3 Demodulators
3.4 Applications
3.5 Conclusion
4 Nonlinear Processing (P. Dutilleux, K. Dempwolf, M. Holters, U. Zölzer)
4.1 Introduction
4.2 Dynamic Range Control
4.3 Musical Distortion and Saturation Effects
4.4 Exciters and Enhancers
4.5 Conclusion
5 Spatial Effects (V. Pulkki, T. Lokki, D. Rocchesso)
5.1 Introduction
5.2 Concepts of spatial hearing
5.3 Basic spatial effects for stereophonic loudspeaker and headphone playback
5.4 Binaural techniques in spatial audio
5.5 Spatial audio effects for multichannel loudspeaker layouts
5.6 Reverberation
5.7 Modeling of room acoustics
5.8 Other spatial effects
5.9 Conclusion
5.10 Acknowledgements
References
6 Time-Segment Processing (P. Dutilleux, G. De Poli, A. von dem Knesebeck, U. Zölzer)
6.1 Introduction
6.2 Variable Speed Replay
6.3 Time Stretching
6.4 Pitch Shifting
6.5 Time Shuffling and Granulation
6.6 Conclusion
References.
7 Time-Frequency Processing (D. Arfib, F. Keiler, U. Zölzer, V. Verfaille, J. Bonada)
7.1 Introduction
7.2 Phase Vocoder Basics
7.3 Phase Vocoder Implementations
7.4 Phase Vocoder Effects
7.5 Conclusion
8 Source-Filter Processing (D. Arfib, F. Keiler, U. Zölzer, V. Verfaille).
8.1 Introduction
8.2 Source-Filter Separation
8.3 Source-Filter Transformations
8.4 Conclusion
9 Adaptive Digital Audio Effects (V. Verfaille, D. Arfib, F. Keiler, A. von dem Knesebeck, U. Zölzer)
9.1 Introduction
9.2 Sound-Feature Extraction
9.3 Mapping Sound Features to Control Parameters
9.4 Examples of Adaptive DAFX
9.5 Conclusions
10 Spectral Processing (J. Bonada, X. Serra, X. Amatriain, A. Loscos)
10.1 Introduction
10.2 Spectral Models
10.3 Techniques
10.4 Effects
10.5 Conclusions
11 Time and Frequency Warping-Musical Signals (G. Evangelista)
11.1 Introduction
11.2 Warping
11.3 Musical Uses of Warping
11.4 Conclusion
12 Virtual Analog Effects (V. Vl̃imk̃i, S. Bilbao, J. O. Smith, J. S. Abel, J. Pakarinen, D. Berners)
12.1 Introduction
12.2 Virtual Analog Filters
12.3 Circuit-Based Valve Emulation
12.4 Electromechanical Effects
12.5 Tape-Based Echo Simulation
12.6 Antiquing of Audio Files
12.7 Conclusion
13 Automatic Mixing (E. Perez-Gonzalez, J. D. Reiss)
13.1 Introduction
13.2 AM-DAFX
13.3 Cross-adaptive AM-DAFX
13.4 AM-DAFX Implementations
13.5 Conclusion
14 Sound Source Separation (G. Evangelista, S. Marchand, M. D. Plumbley, E. Vincent)
14.1 Introduction
14.2 Binaural Source Separation
14.3 Source Separation from Single-Channel Signals
14.4 Applications
14.5 Conclusions
Acknowledgments
Glossary
Index.
Notes:
Description based upon print version of record.
Description based on PDF viewed 10/24/2017.
Includes bibliographical references and index.
ISBN:
9786613405319
9780470979679
0470979674
9781283405317
1283405318
9781119991304
1119991307
9781119991298
1119991293
OCLC:
711779424

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