Digital Cinematography / Stump, David.

Format:

Book

Author/Creator:

Stump, David, author.

Contributor:

Safari, an O'Reilly Media Company.

Language:

English

Subjects (All):

Digital cinematography.

Physical Description:

1 online resource (494 p.)

Edition:

1st edition

Place of Publication:

Routledge, 2014.

Language Note:

English

System Details:

text file

Summary:

First published in 2014. Routledge is an imprint of Taylor & Francis, an informa company.

Contents:

Cover; Half Title; Title; Copyright; Contents; Acknowledgments and Dedications; Foreword; What This Book Is About; What This Book Is Not About; Why Should a Cinematographer Read This Book; Do Not Bluff With Buzzwords, Do Your Homework; As a Cinematographer, You Must Ultimately Serve Three Masters; Your Director; Your Producer; The Studio; A Note on the Color; Chapter 1 What Is Digital; What Are Pixels?; Photosites Are Not Pixels!; Analog to Digital; How Many Crayons in the Box?; The Issues of Encoding Luminance; The Just Noticeable Difference (JND) and Square Root Integral (SQRI)

The Problem With Linear EncodingGamma; 10-Bit Log Cineon/DPX File Format; Cineon/DPX Encoding Ranges; The Calculus of Color Sampling (Uh-Oh . . . Math Again!); Nyquist Sampling Theory; Nyquist Sampling Theory Simplified; Chapter 2 Camera Sensors; The Practical Differences Between Film and Digital Sensors; Sensor Size Has an Effect on the Image We See; CCD Versus CMOS; 3-Chip 2/3-Inch Sensors; Prisms Are Very Difficult to Engineer; Chromatic Aberration; Telecentricity in Lens Design; CCD Image Smear; Three Solutions to the Problem of CCD Image Smear; Interline Transfer CCD Sensors

Bayer Pattern Sensors Versus Co-Sited RGB PixelsBayer Pattern Color Filter Arrays; Optical Low Pass Filtering; Infrared Filtering; Understanding Bayer Pattern Images; "De-Bayering" Images; Resolution in Bayer Pattern Cameras; Converting Raw Images to RGB Images; Dead pixel removal; Noise reduction; Linearization; Black-level subtraction; De-mosaic to RGB; Lens corrections; Cropping; Scaling; White balance; Color conversion; Color enhancements; Toning curve; Gamma curve; Clip to fewer bits; Lossy compression; Cinema DNG Format; Rolling Shutter Versus Global Shutter; Skew; Wobble; Smear

ACES Color SpaceOne Possible Future Motion Picture Finishing Solution-ACES, the Academy Color Encoding System; ACES Components; ACES Benefits; For Cinematographers; For Visual Effects and Postproduction Facilities; For Content Owners; ACES Color Space Encoding; Viewing ACES; Preparation for Using ACES; Digital Cinema Color Spaces: P3, XYZ, and ACES; Chapter 4 The Color-Space Conundrum; What Is Color Space?; Human Color Perception; Quantifying Human Color Perception-CIE 1931; Color Photography; Color in Cinematography; Color in Television; CIE 1976-CIE L*a*b*

The Birth of High-Definition Video

Notes:

Includes index.

Includes bibliographical references and index.

Description based on print version record.

ISBN:

9781136040412

1136040412

9780240817927

0240817923

9781136040429

1136040420

OCLC:

874563128