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Ableton Live 9 : create, produce, perform / by Keith Robinson.

O'Reilly Online Learning: Academic/Public Library Edition Available online

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Format:
Book
Author/Creator:
Robinson, Keith, 1977- author.
Language:
English
Subjects (All):
Ableton Live.
Digital audio editors.
Software synthesizers.
Physical Description:
1 online resource (457 p.)
Edition:
1st edition
Other Title:
Ableton Live nine
Place of Publication:
London : Routledge, 2019.
Language Note:
English
System Details:
text file
Summary:
First published in 2013. Routledge is an imprint of Taylor & Francis, an informa company.
Contents:
Cover; Half Title; Title Page; Copyright Page; Table of Contents; 5.6 Working in Session View; 6.5.2 Produce; 7.5.4 Fade; About the Author; Acknowledgments; Scene 1 Live 9: Create, Produce, Perform; 1.1 Introduction; 1.2 Approaching Ableton Live in Three Intuitive Ways; 1.3 Immersing Yourself in Live; 1.3.1 How the Book Has Been Constructed; 1.3.2 General Scene Layout; 1.4 How to Use This Book; 1.5 Summing It All Up; 1.6 Taking Advantage of "Hot Tips"; Scene 2 Overview: Live 9; 2.1 Introduction; 2.2 The Concept; 2.3 Important Preference Tweaks; 2.3.1 CPU Load; 2.3.2 Disk Load
2.3.3 Track Freeze2.3.4 Audio Preferences; 2.3.5 MIDI Preferences; 2.3.6 Record, Warp, and Launch Preferences; 2.4 The Live Browser; 2.4.1 Browser Layout; 2.4.2 The Browser Concept; Scene 3 The Quick Way to Start Making Music!; 3.1 Introduction; 3.2 Starting a Project; 3.3 Audio in Live; 3.3.1 Importing Audio; 3.3.2 Recording Audio; 3.4 MIDI in Live; 3.4.1 Importing MIDI; 3.4.2 Recording MIDI; 3.5 Essential Operations and Tasks; 3.5.1 Looping Your Loops; 3.5.2 Adding Effects; 3.6 Performance to Arrangement; 3.7 Finishing Your Work; 3.7.1 Exporting Your Audio; 3.7.2 Set versus Project
3.7.3 Managing FilesScene 4 Global Recording: Arrangements "On-the-Fly"; 4.1 Introduction; 4.2 The Global Recording Concept; 4.3 Music On-the-Fly; 4.4 User Interfacing: Two Parallel Worlds; 4.4.1 Arrangement View; 4.4.2 Session View; 4.4.3 Clips; 4.4.4 Scenes; 4.4.5 Session View as a Mixer; 4.5 The Linear Approach; 4.5.1 Create; 4.5.2 Produce; 4.5.3 Perform; 4.6 The Non-linear Approach; 4.6.1 Create; 4.6.2 Produce; 4.6.3 Perform; Scene 5 Session View Concepts; 5.1 Real-time Launching Base; 5.2 Layout; 5.2.1 Tracks; 5.2.2 Session View Mixer; 5.2.3 Drop Areas; 5.3 Clips
5.3.1 Clip Slots/Session Grid5.3.2 Launching Clips; 5.3.3 Basic Editing; 5.4 Tracks versus Scenes; 5.4.1 Launching Scenes; 5.4.2 Select on Launch; 5.5 Track Status Display; 5.6.1 Audio Clips; 5.6.2 MIDI Clips; 5.6.3 Crossfader Section; 5.7 Sessions into Arrangements; 5.7.1 Capturing a Session Performance; 5.7.2 Playing Back a Performance; 5.8 Musical Concepts; 5.8.1 Produce: Submixing with Return Tracks; Scene 6 Arrangement View Concepts; 6.1 Musical Timeline; 6.2 Layout; 6.3 Navigating; 6.3.1 Scroll and Zoom; 6.3.2 Transport; 6.3.3 Locators; 6.4 Working in the Arrangement View
6.4.1 Launching6.4.2 Looping; 6.4.3 Selecting; 6.4.4 Editing; 6.4.5 Fades and Crossfades; 6.5 Arranging Concepts; 6.5.1 Create; 6.5.3 Perform; Scene 7 Clips; 7.1 Musical Building Blocks; 7.2 Clip View; 7.2.1 Sample Display (Editor) and MIDI Note Editor; 7.2.2 Clip Overview and Device View Selector; 7.2.3 Audio versus MIDI Clips; 7.3 Clip Box; 7.3.1 Clip Properties; 7.3.2 Groove Settings; 7.4 Launch Box; 7.4.1 Clip Quantization; 7.4.2 Launch Modes; 7.4.3 Legato Mode; 7.4.4 Velocity Amount; 7.4.5 Follow Action; 7.5 Sample Box; 7.5.1 Sample Properties; 7.5.2 Edit, Save, Reverse
7.5.3 High-quality Mode (HiQ)
Notes:
Includes index.
Description based on print version record.
ISBN:
9781138372191
1138372196
9780240817903
0240817907
9781136111495
1136111492
9781136111501
1136111506
OCLC:
870334773

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