Adobe Premiere Pro CS5

Format:

Book

Author/Creator:

Ozer, Jan

Contributor:

Randall, Chris.

Wrigley, Curt.

Adobe Systems, Content Provider.

Series:

Classroom in a Book

Classroom in a book Adobe Premiere Pro CS5

Language:

English

Subjects (All):

Adobe Premiere.

Video recordings--Production and direction--Data processing.

Video recordings.

Digital video--Data processing--Editing.

Digital video.

Motion pictures.

Physical Description:

1 online resource (399 p.) : ill.

Edition:

1st edition

Place of Publication:

[Place of publication not identified] Adobe Press 2010

Language Note:

English

System Details:

text file

Summary:

Those creative professionals seeking the fastest, easiest, most comprehensive way to learn Adobe Premiere Pro CS5 choose Adobe Premiere Pro CS5 Classroom in a Book from the Adobe Creative Team at Adobe Press. The 22 project-based lessons in this book show readers step-by-step the key techniques for working in Premiere Pro CS5. Readers learn the basics on things like using audio, creating transitions, producing titles, and adding effects. Once they have the basics down, they'll learn how to take their projects further by sweetening and mixing sound, compositing the footage, adjusting color, authoring DVDs, and much more. This completely revised CS5 edition covers new features such as Ultra, the new high-performance keyer. New workflows for creative collaboration are also explored, from the script all the way to the screen using Adobe Story, OnLocation, Speech Search, and other Adobe tools that are right at users' fingertips. Best of all, the companion DVD includes lesson files so readers can work step-by-step along with the book.

Contents:

Cover

Contents

Getting Started

About Classroom In A Book

Prerequisites

Installing Adobe Premiere Pro Cs5

Adobe Premiere Pro Cs5 Trial

Optimizing Performance

Copying The Lesson Files

How To Use These Lessons

Additional Resources

Adobe Certification

Checking For Updates

1 Touring Adobe Premiere Pro Cs5

Topics Covered In This Lesson

New Features In Adobe Premiere Pro Cs5

Nonlinear Editing In Adobe Premiere Pro Cs5

Presenting The Standard Digital Video Workflow

Enhancing The Workflow With High-Level Features

Incorporating Other Cs5 Components Into The Editing Workflow

Adobe Cs5 Production Premium Workflow

Touring The Adobe Premiere Pro Workspace

The Workspace Layout

Customizing The Workspace

2 Selecting Settings, Adjusting Preferences, And Managing Assets

Selecting Project Settings By Sequence

Three Types Of Settings

Specifying Project Settings

Sequence Settings

Adjusting User Preferences

Importing Assets

Taking A Closer Look At Images

Image Tips

Managing Media In Bins

Exploring Additional Bin Features

Having Multiple Bins Open At Once

Finding Assets

Finding Assets With The Media Browser

3 Importing And Managing Tapeless Media

Using A Tapeless Workflow

Panasonic P2

Sony Xdcam

Avchd

Digital Still Cameras That Shoot High-Definition Video

Using The Media Browser

Importing Xdcam Media

Importing P2 Media

P2 Folder Structure

Importing Avchd Media

Mixing Media Formats

4 Shooting And Capturing Great Video Assets

Tips For Shooting Great Video

Get A Closing Shot

Get An Establishing Shot

Shoot Plenty Of Video

Adhere To The Rule Of Thirds.

Keep Your Shots Steady

Follow The Action

Use Trucking Shots

Find Unusual Angles

Lean Forward Or Backward

Get Wide And Tight Shots

Shoot Matched Action

Get Sequences

Avoid Fast Pans And Snap Zooms

Shoot Cutaways

Use Lights

Grab Good Sound Bites

Get Plenty Of Natural Sound

Plan Your Shoot

Capturing Video

Three Dv/Hdv-Capturing Scenarios

Capturing An Entire Tape

Using Batch Capture And Scene Detection

Use A Clip-Naming Convention

Use Scene Detection

Tackling Manual Analog Movie Capture

Capturing Hdv And Hd Video

5 Creating Cuts-Only Videos

Using A Storyboard To Build A Rough Cut

Arranging Your Storyboard

Automating Your Storyboard To A Sequence

Editing Clips On The Timeline

Trimming A Clip

Using The Ripple Edit Tool

Moving Clips To, From, And Within The Timeline

Using The Current-Time Indicator To Establish The Edit Point

Adding Clips To The Timeline With The Source Monitor

Working With Source Monitor Editing Tools

More Practice

Adjusting Clips In The Trim Panel

Using Other Editing Tools

6 Adding Video Transitions

Using Transitions With Restraint

Adding Whimsy

Adding Visual Interest

Trying Some Transitions

Sequence Display Changes

Changing Parameters In The Effect Controls Panel

Using A/B Mode To Fine-Tune A Transition

Working With The Effect Controls Panel'S A/B Feature

Dealing With Inadequate (Or No) Head Or Tail Handles

Applying Transitions To Multiple Clips At Once

Adding Audio Transitions

7 Creating Dynamic Titles

Strengthening Your Project With Titles

Changing Text Parameters

Building Text From Scratch

Putting Text On A Path.

Creating Shapes

Aligning Shapes

Making Text Roll And Crawl

Adding Text Effects: Sheens,Strokes,Shadows,And Fills

Experiment With Effects

8 Applying Specialized Editing Tools

Exploring Timesaving Editing Tools

Making Rolling, Slide, And Slip Edits

Using The Program Monitor'S Lift And Extract Buttons

Replacing A Clip And Replacing Footage

Using The Replace Clip Feature

Using The Replace Footage Feature

Using Sync Lock And Track Lock

Using Sync Lock

Using Track Lock

Finding Gaps In The Timeline

Editing With In And Out Points Around A Clip

Creating Subclips From The Source Monitor

Multicamera Editing

Creating The Initial Multicamera Sequence

Switching Multiple Cameras

Finalizing Multicamera Editing

Changing An Edit In The Timeline

Multicam Tips

9 Adding Video Effects

Sampling Some Basic Video Effects

Applying Effects To Multiple Clips

Adding Keyframing Effects

Extra Credit: Combining Effects

Adding Keyframe Interpolation And Velocity

One Additional Velocity/Interpolation Issue

Adding Lighting Effects

Creating Custom Presets

10 Putting Clips In Motion

Applying The Motion Effect To Clips

Examining Motion Settings

Changing Clip Size And Adding Rotation

Adding Rotation And Changing The Anchor Point

Working With Keyframe Interpolation

Creating A Picture-In-Picture Effect

Enhancing Motion With Shadows And Beveled Edges

Adding A Drop Shadow

Using Other Motion-Related Effects: Transform, Basic 3D And Camera View

Transform

Basic 3D And Camera View

11 Changing Time

Using Slow-Motion And Reverse-Motion Techniques.

Speeding Up A Clip

Changing Speed With The Rate Stretch Tool

Enabling Variable Time Changes With Time Remapping

Applying Time Remapping With Speed Transitions

Using Time Remapping With Reverse Motion

Recognizing The Downstream Effects Of Changing Time

Changing The Speed Of Multiple Clips Simultaneously

Changing The Length Of Multiple Stills Simultaneously

12 Acquiring And Editing Audio

Making The Connection

Setting Up A Basic Voice-Recording Area

Voicing Professional Narrations

Creating A High-Quality Aural Experience

Examining Audio Characteristics

Adjusting Audio Volume

Adjusting Audio In The Effect Controls Panel

Adjusting Audio Gain

Adding J-Cuts And L-Cuts

Adding An L-Cut

13 Sweetening Your Sound And Mixing Audio

Sweetening Sound With Audio Effects

Trying Stereo And 5.1 Surround Sound Effects

Looking At One More Vst Plug-In

Editing Keyframes By Using The Clip Effect Menu

Working With The Audio Mixer

Automating Changes In Audio Tracks

Outputting Tracks To Submixes

Recording Voice-Overs

Creating A 5.1 Surround Sound Mix

Fixing, Sweetening, And Creating Soundtracks In Adobe Soundbooth

Cleaning Up Noisy Audio

Adding Audio Effects In Adobe Soundbooth

14 Analyzing Content

Transcribing Speech To Text

Enhancing The Accuracy Of Speech Analysis

Searching Transcription For Keywords

Setting In And Out Points Using Speech Analysis Text

Modifying The Metadata

Detecting Faces In A Sequence

15 Exploring Compositing Techniques

Making Compositing Part Of Your Projects

Shooting Videos With Compositing In Mind.

Working With The Opacity Effect

Combine Layers Based On A Blend Mode

Working With Alpha-Channel Transparencies

Using Video Effects That Work With Graphic-File Alpha Channels

Color Keying A Green-Screen Shot With Ultra Key

Using The Ultra Key Effect

Using Matte Keys

Using Mattes That Use Graphics Or Other Clips

Using Track Matte Key

Making A Traveling Matte

16 Working With Color, Nested Sequences, And Shortcuts

An Overview Of Color-Oriented Effects

Coloring Effects

Color Removal Or Replacement

Color Correction

Technical Color Effects

Adjusting And Enhancing Color

The Leave Color Effect

The Change To Color Effect

The Color Balance (Rgb) Effect

The Auto Color Effect

The Fast Color Corrector Effect

Using Nested Sequences

Multiple Uses For Nested Sequences

Nesting A Video In A Newspaper

Nesting Clips

Getting To Know The Recommended Keyboard Shortcuts

Changing A Shortcut

Most Frequently Used Shortcuts

17 Managing Your Projects

Project Menu Overview

Making A Clip Offline

Using The Project Manager

Working With A Trimmed Project

Collecting Files And Copying Them To A New Location

Final Project Management Steps

Importing Projects Or Sequences

18 Exploring Adobe Onlocation Cs5

Setting Up Adobe Onlocation

Calibrating Your Camera With Camera Setup Assistant

Setting Up Your Frame

Setting Your Focus

Setting Your Iris/Exposure

Setting Your White Balance

Recording Live Video

Recording Video To A Shot List

Analyzing Video With Adobe Onlocation

Working With The Waveform Monitor

Analyzing Color With The Vectorscope

Analyzing Audio With Adobe Onlocation.

Importing Clips Not Captured With Adobe Onlocation.

Notes:

Bibliographic Level Mode of Issuance: Monograph

Description based on publisher supplied metadata and other sources.

ISBN:

9786612739316

9780321717825

0321717821

9781282739314

128273931X

9780321717818

0321717813

OCLC:

1027180394