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Cinematic Vitalism Inga Pollmann.

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Format:
Book
Author/Creator:
Pollmann, Inga, author.
Series:
Film theory in media history.
Film theory in media history
Language:
English
Subjects (All):
Motion pictures--Philosophy.
Motion pictures.
Vitalism in motion pictures.
PERFORMING ARTS / General.
PERFORMING ARTS / Reference.
Vitalism--In motion pictures.
Vitalism.
Physical Description:
1 online resource (295 pages) : illustrations.
Edition:
1st ed.
Place of Publication:
Amsterdam : Amsterdam University Press, [2017]
Language Note:
In English.
Summary:
This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theatre. Articulated by film theorists, filmmakers, biologists and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film.
Contents:
Frontmatter
Table of Contents
Acknowledgments
Introduction: 'The sanguine, pulsating, enterprising modern life': Cinema and Vitalism
1. Vitalism and Abstraction: Rhythm and Non-Organic Life from Hans Richter to Sergei Eisenstein
2. New Worlds: Uexküll's Umwelt Theory at the Movies
3. The Interweaving of World and Self: Transformations of Mood in Expressionist and Kammerspiel Film
4. Open Bodies, Open Stories: Evolution, Narration, and Spectatorship in Post-war Film Theory
Conclusion: Vital Media
Bibliography
Index of Films
Index of Names
Index of Subjects
Notes:
Includes bibliographical references, filmography and indexes.
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access
Description based on print version record.
ISBN:
1-003-69259-1
1-04-078397-X
90-485-3400-3
9781003692591
OCLC:
1053807866

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