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Painting, ethics, and aesthetics in Rome / Nathaniel B. Jones, Washington University.

Fine Arts Library ND1460.P35 J66 2019
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Format:
Book
Author/Creator:
Jones, Nathaniel B. (Nathaniel Barrett), author.
Series:
Greek culture in the Roman world
Language:
English
Subjects (All):
Painting in art.
Pictures in art.
Mural painting and decoration, Greco-Roman--Themes, motives.
Mural painting and decoration, Greco-Roman.
Aesthetics, Classical.
Physical Description:
xvii, 291 pages, 15 unnumbered pages of plates : illustrations (some color) ; 26 cm.
Place of Publication:
Cambridge, United Kingdom ; New York, NY, USA : Cambridge University Press, 2019.
Summary:
In the first centuries BCE and CE, Roman wall painters frequently placed representations of works of art, especially panel paintings, within their own mural compositions. Nathaniel B. Jones argues that the depiction of panel painting within mural ensembles functioned as a meta-pictorial reflection on the practice and status of painting itself. This phenomenon provides crucial visual evidence for both the reception of Greek culture and the interconnected ethical and aesthetic values of art in the Roman world. Roman meta-pictures, this book reveals, not only navigated social debates on the production and consumption of art, but also created space on the Roman wall for new modes of expression relating to pictorial genres, the role of medium in artistic practice, and the history of painting. Richly illustrated, the volume will be important for anyone interested in the social, ethical, and aesthetic dimensions of artworks, in the ancient Mediterranean and beyond.
Contents:
Introduction: the painting of painting in Ancient Rome
Winckelmann and the cultural dynamics of painting
Disrupting the frame
The ethics and politics of art
Transparent and opaque: medium and materiality on the Roman wall
Paradigms, ensembles, and anachronisms
Epilogue: reflection and reflexivity.
Notes:
Includes bibliographical references and index.
ISBN:
9781108420129
1108420125
OCLC:
1043051483

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