My Account Log in

1 option

Hollywood in Havana : US cinema and revolutionary nationalism in Cuba before 1959 / Megan Feeney.

LIBRA PN1993.5.C8 F44 2019
Loading location information...

Available from offsite location This item is stored in our repository but can be checked out.

Log in to request item
Format:
Book
Author/Creator:
Feeney, Megan, author.
Language:
English
Subjects (All):
Motion pictures, American--Cuba--History--20th century.
Motion pictures, American.
Motion pictures, American--Cuba--Influence.
National liberation movements--Cuba.
National liberation movements.
Motion pictures, American--Influence.
History.
Cuba.
Genre:
History.
Physical Description:
viii, 299 pages ; 24 cm
Place of Publication:
Chicago : The University of Chicago Press, 2019.
Summary:
In the 1940s and '50s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, Bette Davis, Joan Crawford, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like "cowboy" and "gangster" becoming part of Cuban vernacular speech. Hollywood in Havana takes this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that American movies helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty after seeing freedom-fighting and rebellious values and behaviors on display in wartime dramas and film noirs. At the same time, influential Cuban intellectuals worked to translate cinematic ethics into revolutionary rhetoric--which, ironically, led to pointed critiques of the US presence in Cuba and which were eventually used to subvert American foreign policy. Hollywood in Havana adds to our evolving notions of how American cinema has been internalized and localized around the world, while also broadening our views of the ongoing history of US-Cuban interactions, both cultural and political.
Contents:
Introduction. Looking up: Hollywood and revolutionary Cuban nationalism
The film business that unites: early US cinema in Havana, 1897-1928
Teaching eyes to see: the advent of Cuban film criticism, 1928-1934
Our men in Havana: Hollywood and good neighborly bonds, 1934-1941
You are men! fight for liberty! Hollywood heroes and the pan-American bonds of World War II
Breaking the chains: Hollywood noir in postwar Havana, 1946-1952
Rebel idealism: Hollywood in Havana during the Batistato, 1952-1958
Epilogue: the show goes on: Hollywood in Havana after 1958.
Notes:
Includes bibliographical references and indexes.
ISBN:
9780226593555
022659355X
9780226593692
022659369X
OCLC:
1028893799

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account