My Account Log in

4 options

Edith Piaf : a cultural history / David Looseley.

DOAB Directory of Open Access Books Available online

View online

Ebook Central Academic Complete Available online

View online

JSTOR Books Open Access Available online

View online

OAPEN Available online

View online
Format:
Book
Author/Creator:
Looseley, David, author.
Series:
Liverpool scholarship online.
Liverpool scholarship online
Language:
English
Subjects (All):
Piaf, Edith, 1915-1963--Criticism and interpretation.
Piaf, Edith.
Popular music--France--History and criticism.
Popular music.
Popular culture--France--20th century.
Popular culture.
Genre:
Biographies.
Physical Description:
1 online resource (vii, 254 pages) : digital, PDF file(s).
Edition:
1st ed.
Place of Publication:
Liverpool : Liverpool University Press, 2015.
Summary:
The world-famous French singer Édith Piaf (1915-63) was never just a singer. Dozens of biographies of her, of variable quality, have seldom got beyond the well known and usually contested 'facts' of her life. This book suggests new ways of understanding her. A 'cultural history' of Piaf means exploring her cultural, social and political significance as a national and international icon, looking at her shifting meanings over time, at home and abroad. How did she become a star and a myth? What did she come to mean in life and in death? At the centenary of her birth and more than fifty years after her passing, why do we still remember her work and commemorate her through the work of others, from Claude Nougaro and Elton John to Ben Harper and Zaz, as well as in films, musicals, documentaries and tribute acts around the world? What does she mean today?The book proposes the notion of an imagined Piaf. To a large extent, she was her own invention, not only by virtue of her talent but because she produced narratives about herself, building a mystery. But she was also the invention of others: of those she worked with but above all of her audiences, who made their own meanings from her carefully staged performances. Since her death, the world has been free to imagine new Piafs. From the 1930s until today, she has variously embodied conceptions of the 'popular' and of 'chanson' as a new kind of middlebrow, of gender, sexuality, national identity and the human condition.
Contents:
Pt. I NARRATING PIAF
1. Inventing la Mome
2. Piaf and her public
3. A singer at war
pt. II PIAF AND CHANSON
4. A new Piaf
5. High art, low culture: Piaf and la chanson francaise
6. Ideology, tragedy, celebrity: a new middlebrow
pt. III AFTERLIVES
7. Losing Piaf
8. Remembering Piaf
9. Performing Piaf.
Notes:
Title from publisher's bibliographic system (viewed on 07 Jul 2017).
Includes bibliographical references and index.
CC BY-NC-ND
Description based on publisher supplied metadata and other sources.
ISBN:
9781781388594
1781388598
9781786945280
1786945282
9781781384251
1781384258
OCLC:
961105658
Access Restriction:
Open access Unrestricted online access

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account