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Between Jerusalem and Athens : Israeli theatre and the classical tradition / Nurit Yaari.

LIBRA PN2919.4 .Y33 2018
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Format:
Book
Author/Creator:
Yaari, Nurit, author.
Series:
Classical presences
Language:
English
Subjects (All):
Theater--Israel--History.
Theater.
Theater and society--Israel.
Theater and society.
Greek drama--Appreciation--Israel--History.
Greek drama.
Greek drama--Appreciation.
History.
Israel.
Genre:
History.
Physical Description:
xvii, 461 pages : illustrations (black and white) ; 22 cm.
Edition:
First edition.
Place of Publication:
Oxford, United Kingdom : Oxford University Press, 2018.
Summary:
This first in-depth study of the reception of ancient Greek drama in Israeli theatre over the last 70 years offers ground-breaking analysis of a wide range of translations, adaptations, and new writing, and how performances of these works were created and staged at key points in the development of Israeli culture.
Contents:
Between Athens and Jerusalem p. 3
Weaving Together Histories and Traditions p. 7
Israeli Theatre and Its Audiences p. 15
A Survey of Scholarship p. 17
2 Habima: Outsidedness as a Catalyst of Creativity p. 29
First Encounters with the Greek Classical Repertoire p. 33
In Lieu of Summary: The Nissim Aloni Effect p. 59
3 The Cameri: In Search of Local Theatrical Identity p. 63
A Modern Hebrew Theatre in Tel Aviv p. 63
4 Experimentations: Putting the Aesthetics of Performance into Practice p. 97
Arieh Sachs: Experimenting with Ritual Theatre p. 99
Yossi Yizraely: Experimentations with Stage Imagery p. 110
Edna Shavit: Experiments with Classicism p. 129
5 Aristophanes and the Occupied Territories p. 143
Text and Socio-Political Context p. 145
Hanoch Levin: Contention, Defiance, and Protest p. 158
6 The Trojan War and the Israeli-Palestinian Conflict p. 175
Theatrical Responses to the Six Day War (1967) p. 175
Theatrical Responses to the Lebanon War (1982-5) p. 186
7 Lysistrata: Between Entertainment and Protest p. 211
Lysistrata on the Israeli Stages p. 211
8 Nissim Aloni: Oedipus Tyrannus in an Immigrant Society p. 245
The Myth of King Oedipus: Migrant and Autochthon p. 248
9 Hanoch Levin: From Ancient Myths to Modern Tragedy p. 277
Israel in the Aftermath of the Six Day War (1967) p. 279
The Israeli Theatre in the Aftermath of the Six Day War p. 282
Levin's Dialogue with Euripides p. 284
Levin's Dialogue with Aeschylus: The Moaners (1999) p. 300
In Search of Meaning-of Tragedy, and of Theatre p. 312
10 Classical Presences and 'Post Dramatic' Performances p. 319
Ruth Kanner: Processing Communal Grief p. 321
Troy Revisited in the Third Millennium p. 328
Ilan Ronen: Theatre as a Memory Machine p. 329
Rina Yerushalmi: Lessons of the Past p. 336
Hanan Snir: From Politics to Psychodrama p. 347
11 The Classical Tradition in University Theatre p. 361
First Encounters: Sophocles' Antigone (1969) p. 363
Students Tackling the Classical Heritage (1970-80) p. 368
From Theory to Practice: Yizraely Reads Aristotle p. 372
Graduation Projects in the Third Millennium p. 374
A Practical and Theoretical Research Laboratory (2011-14) p. 379
Research and Practice: Greek Tragedy p. 380
In Lieu of Summary: The General and the Sea (2015) p. 386
12 Israeli Theatre: A Snapshot of Today and Future Prospects p. 395.
Notes:
Includes bibliographical references (pages 421-449) and index.
ISBN:
0198746679
9780198746676
OCLC:
1019998817

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