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Listening to war : sound, music, trauma and survival in wartime Iraq / J. Martin Daughtry.

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Format:
Book
Author/Creator:
Daughtry, J. Martin.
Contributor:
UPSO (University Press Scholarship Online)
Language:
English
Subjects (All):
Iraq War, 2003-2011--Music and the war.
Iraq War, 2003-2011.
Music--Psychological aspects.
Music.
Iraq War, 2003-2011--Psychological aspects.
Psychological aspects.
Music in the army.
Sound--Psychological aspects.
Sound.
Physical Description:
1 online resource
Place of Publication:
New York : Oxford University Press, [2015]
System Details:
text file
Contents:
Fragment #1 The Presence of Mind to Save an Ear: Alt's Story 27
Section I Sonic Matériel
1 Belliphonic Sounds and Indoctrinated Ears: The Elements of Wartime Audition 33
Charting the Belliphonic 33
Listening, Structure, and Positionality 36
Vehicular Sounds 41
Communications 47
Civilian Sounds 56
Weapons 63
2 Mapping Zones of Wartime (In)audition 76
The Audible Inaudible 77
The Narrational Zone 80
The Tactical Zone 88
The Trauma Zone 92
A Complicating Factor: Iraqi Civilian Auditors 95
Another Complicating Factor: Sound and Psychological Trauma 98
Conclusion 101
Fragment #2 Stealth and Improvisation in the Desert: Jason's Story 103
Fragment #3 Loudly Searching in the Resonant Darkness: The Anatomy of a Nighttime House Raid 110
Section II Structures of Listening, Sounding, and Emplacement
Introduction to Section II: The Auditory Regimes, Sonic Campaigns, and Acoustic Territories of Operation Iraqi Freedom 121
3 Auditory Regimes 128
Ideals of Military Audition 130
National Audition 139
Oblique Indoctrination of Belliphonic Ears 141
Situational Awareness 142
The Inclusive Auditory Regime of Iraqi Civilians 147
Auditory Literacy, Competence, Virtuosity 150
Incommensurability 151
4 Sonic Campaigns 159
Sound (and Violence) 160
Violence (and Sound) 165
The Omnidirectionality of Sound and Violence 170
Sonic Campaigns 174
5 Acoustic Territories 188
Emplacement, Displacement, Transplacement 188
Sound and Territoriality 192
The Virtual Acoustic Territory of Recorded Sound 193
The Radiant Acoustic Territories of Wartime 199
The Resonant Acoustic Territories of Baghdad 201
The Resonant Acoustic Territory of the Body 207
Life at the Intersection of Regime, Campaign, and Territory 210
Fragment #4 A Fatal Mishearing 213
Section III Music, Mediation, and Survival
6 Mobile Music in the Military 219
Introducing the Wartime iPod 220
A Century of Recorded Music on the Battlefield 225
iPods in the Iraq War 227
Amping Up, Staying Focused, Cooling Down: iPods as Technologies of Self-Regulation in Combat 228
Moving Bodies, Loosening Tongues, Adjusting Crosshairs: iPods as Technologies for Manipulating Others in Combat 238
Concluding Thoughts 246
Fragment #5 From "Hell's Bells" to "Silent Night": A Conversation about Music in the Military 248
Fragment #6 Keeping the Music Turned Down Low: Shymaa's Story 254
7 A Time of Troubles for Iraqi Music 258
Iraq's Musical Legacy 259
Post-invasion Challenges 261
Political Violence 263
Sectarian Violence 263
US Forces Targeting Music 267
The Attenuated Acoustic Territory of Iraqi Musical Practice 269
Conclusion 271
Fragment #7 Listening as Poiesis: Tareq's Story 275.
Notes:
Includes index.
Electronic reproduction. Oxford Available via World Wide Web.
Description based on print version record.
ISBN:
9780199361519
0199361517
Publisher Number:
99979106879
Access Restriction:
Restricted for use by site license.

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