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Hearing harmony : toward a tonal theory for the rock era / Christopher Doll.

UMPEBC University of Michigan Press eBooks Available online

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Format:
Book
Author/Creator:
Doll, Christopher (Composer), author.
Contributor:
Michigan Publishing (University of Michigan), publisher.
Series:
Tracking pop
Language:
English
Subjects (All):
Rock music--Analysis, appreciation.
Rock music.
Harmony.
Genre:
Electronic books.
Physical Description:
1 online resource (x, 320 pages) : music.
Place of Publication:
Ann Arbor : University of Michigan Press, [2017]
System Details:
text file
Summary:
Hearing Harmony offers a listener-based, philosophical-psychological theory of harmonic effects for Anglophone popular music since the 1950s. It begins with chords, their functions and characteristic hierarchies, then identifies the most common and salient harmonic-progression classes, or harmonic schemas. The identification of these schemas, as well as the historical contextualization of many of them, allows for systematic exploration of the repertory's typical harmonic transformations (such as chord substitution) and harmonic ambiguities. Doll provides readers with a novel explanation of the assorted aural qualities of chords, and how certain harmonic effects result from the interaction of various melodic, rhythmic, textural, timbral, and extra-musical contexts, and how these interactions can determine whether a chordal riff is tonally centered or tonally ambiguous, whether it sounds aggressive or playful or sad, whether it seems to evoke an earlier song using a similar series of chords, whether it sounds conventional or unfamiliar.
Contents:
Chapter 1 Tonic and Pre-Tonic 17
Chordal Identity 17
Tonal Center and Tonic Function 20
Pre-Tonic Function: Dominant and Subdominant 25
Dominant and Subdominant Subtypes 34
Pre-Tonic Function: Mediant versus Dominant 39
Chapter 2 Chains, Numerals, and Levels 49
Chained Functions 49
Numerals 55
Numerals versus Functions 60
Harmonic Levels, Functional Strengths, and Identity as Effect 66
Additional Functions 73
Chapter 3 Short and Slot Schemas 83
Two-Chord Loops and Cadences 83
Common Three-Chord Loops and Cadences 91
Rarer Three-Chord Loops and Cadences 100
Three Numerals in Four Slots 104
Four Numerals in Four Slots: Part I 110
Four Numerals in Four Slots: Part II 115
Four Numerals in Four Slots: Part III 120
Chapter 4 Pentatonic, Meta-, and Extended Schemas 126
Pentatonic Schemas 126
Meta-Schemas: Part I 137
Meta-Schemas: Part II 153
Extended Schemas: Part I 162
Extended Schemas: Part II 173
Chapter 5 Transformational Effects 188
Altering the Aurally Prior 188
Harmonic Transformees 191
Kinds of Harmonic Transformation: Part I 200
Kinds of Harmonic Transformation: Part II 207
Chapter 6 Ambiguous Effects 215
Disambiguating Ambiguity 215
Centric and Functional Information: Part I 221
Centric and Functional Information: Part II 229
Centric and Scalar Ambiguity 238
Ambiguous Two-Chord Loops 243
Ambiguous Three-Chord and Slot Schemas 249
Functional Ambiguity 256.
Notes:
Includes bibliographical references and index.
Description based on information from the publisher.
ISBN:
9780472073528
0472073524
9780472053520
0472053523
9780472122882
Publisher Number:
10.3998/mpub.3079295
Access Restriction:
Restricted for use by site license.

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