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The problem of the color(blind) : racial transgression and the politics of black performance / Brandi Wilkins Catanese.
- Format:
- Book
- Author/Creator:
- Catanese, Brandi Wilkins, 1974-
- Series:
- Theater--theory/text/performance
- Language:
- English
- Subjects (All):
- African Americans in the performing arts.
- African Americans in motion pictures.
- African Americans--Race identity.
- African Americans.
- Performing arts--Social aspects--United States.
- Performing arts.
- Motion pictures--Social aspects--United States.
- Motion pictures.
- Motion pictures--Social aspects.
- Performing arts--Social aspects.
- United States.
- Colorblind casting (Performing arts).
- Colorblind casting (Performing arts).
- United States--Race relations.
- Race relations.
- Genre:
- Electronic books.
- Physical Description:
- 1 online resource (vii, 214 pages).
- Place of Publication:
- Ann Arbor : University of Michigan Press, c2011.
- System Details:
- text file
- Summary:
- Are we a multicultural nation, or a colorblind one? The Problem of the Color[blind] examines this vexed question in American culture by focusing on black performance in theater, film, and television. The practice of colorblind casting-choosing actors without regard to race-assumes a performing body that is somehow race neutral. But where, exactly, is race neutrality located-in the eyes of the spectator, in the body of the performer, in the medium of the performance? In analyzing and theorizing such questions, Brandi Wilkins Catanese explores a range of engaging and provocative subjects, including the infamous debate between playwright August Wilson and drama critic Robert Brustein, the film career of Denzel Washington, Suzan-Lori Parks's play Venus, the phenomenon of postblackness (as represented in the Studio Museum in Harlem's "Freestyle" exhibition), the performer Ice Cube's transformation from icon of gangsta rap to family movie star, and the controversial reality television series Black. White. Concluding that ideologies of transcendence are ahistorical and therefore unenforceable, Catanese advances the concept of racial transgression-a process of acknowledging rather than ignoring the racialized histories of performance-as her chapters move between readings of dramatic texts, films, popular culture, and debates in critical race theory and the culture wars. Book jacket.
- Contents:
- Chapter 1 Bad Manners: Talking about Race 1
- Chapter 2 The End of Race or the End of Blackness? August Wilson, Robert Brustein, and Color-Blind Casting 32
- Chapter 3 The Limits of Color Blindness: Interracial Sexuality, Denzel Washington, and Hollywood Film 72
- Chapter 4 Transgressing Tradition: Suzan-Lori Parks and Black Performance (as) Theory 112
- Chapter 5 Are We There Yet? Race, Redemption, and Black. White. 143.
- Notes:
- Includes bibliographical references and index.
- Description based on information from the publisher.
- ISBN:
- 9780472071265
- 9780472051267
- 9780472027927
- Publisher Number:
- 10.3998/mpub.368267
- Access Restriction:
- Restricted for use by site license.
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