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John Lewis and the challenge of "real" black music / Christopher Coady.

UMPEBC University of Michigan Press eBooks Available online

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Format:
Book
Author/Creator:
Coady, Christopher, 1980-
Contributor:
Michigan Publishing (University of Michigan), publisher.
Series:
Jazz perspectives (Ann Arbor, Mich.)
Jazz perspectives
Language:
English
Subjects (All):
Lewis, John, 1920-2001--Criticism and interpretation.
Lewis, John.
Lewis, John, 1920-2001.
African American jazz musicians--History and criticism.
African American jazz musicians.
Third stream (Music)--History and criticism.
Third stream (Music).
Jazz--1941-1950--History and criticism.
Jazz.
Jazz--1951-1960--History and criticism.
Music and race--United States--History--20th century.
Music and race.
History.
Criticism and interpretation.
United States.
Genre:
Electronic books.
Physical Description:
1 online resource.
Place of Publication:
Ann Arbor : University of Michigan Press, [2016]
System Details:
text file
Summary:
For critics and listeners, the reception of the 1950s jazz-classical hybrid Third Stream music has long been fraught. Christopher Coady explores the work ofone of the form's most vital practitioners, following Lewis from his role as an arranger for Miles Davis's Birth of the Cool sessions to his leadershipof the Modern Jazz Quartet, his tours of Europe, and his stewardship of the Lenox School of Jazz. Along the way Coady shows how Lewis's fusion works helped shore up a failing jazz industry in the wake of the 1940s big band decline, forging a new sound grounded in middle-class African American musical traditions. By taking into account the sociocultural milieu of the 1950s, Coady provides a wider context for understanding the music Lewis wrote for the Modern Jazz Quartet and sets up new ways of thinking about Cool Jazzand Third Stream music more broadly.
Contents:
1 Branching Out: The Great Era of Venue Creation 24
2 "Bearded Undertakers": Rhythm and Reputation 60
3 "Finesse, Precision, and Logic": Musical Traditions and the African American Elite 83
4 Composition in Context: Lewis and the MJQ, 1952-62 114
5 Lewis and Film Noir 156
6 "Real" Black Music 172.
Notes:
Includes bibliographical references (pages 219-229), filmography (page 233), and index.
Description based on information from the publisher.
ISBN:
9780472053209
9780472073207
9780472122264
Publisher Number:
10.3998/mpub.8890284
Access Restriction:
Restricted for use by site license.

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