My Account Log in

3 options

The legacies of Bernard Smith : essays on Australian art, history and cultural politics / edited by Jaynie Anderson, Christopher R. Marshall and Andrew Yip.

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Contributor:
Anderson, Jaynie, editor.
Yip, Andrew, editor.
Marshall, Christopher R., editor.
Language:
English
Subjects (All):
Smith, Bernard, 1916-2011--Criticism and interpretation.
Smith, Bernard.
Art appreciation--Australia.
Art appreciation.
Art and society--Australia.
Art and society.
Art--Political aspects--Australia.
Art.
Art critics--Australia.
Art critics.
Art historians--Australia.
Art historians.
Festschriften--Australia.
Festschriften.
Physical Description:
1 online resource (xi, 370 pages) : illustrations
Edition:
1st ed.
Place of Publication:
Australia : Power Publications : Art Gallery NSW, 2016.
Summary:
It has been widely asserted that Bernard Smith established the discipline of art history in Australia. He was the founding professor of contemporary art and the directory of the Power Institute at the University of Sydney, published the classic art text Australian Painting.
Contents:
Intro
Title Page
Copyright
Contents
List of illustrations
Foreword
Biographical Overview
1 / Encountering Australia: European Vision and The South Pacific
A half-century on: the legacy of European Vision and the South Pacific : Andrew Sayers
'My greatest debt': Bernard Smith, the Warburg Institute, and the evolution of European Vision and the South Pacific : Robert W. Gaston
History, art history and museology in the Pacific : Nicholas Thomas
Cooperation and friendship: in tribute to Bernard Smith : Rüdiger Joppien
Photography and the triumph of science in European Vision and the South Pacific : Kathleen Davidson
2 / Defining Australian Art
Bernard Smith: the art historian as hero : Terry Smith
Bernard, wordsmith : Peter Beilharz
Re-reading Bernard Smith on what constitutes Australian art : Catherine Speck
Bernard Smith in space and time: 'The Antipodean Manifesto' fifty years later : Paul Giles
Peter Fuller, the Celtic midwife and some [other] Northern critics of Southern art : Simon Pierse
The life and the work: Australian art biography : John Clark
Illustrations
3 / Bernard Smith and The Art Museum
Contingency as the guard dog of history: Bernard Smith at the National Art Gallery of New South Wales, 1944-48 : Steven Miller
Bernard Smith and the professional art museum : Joanna Mendelssohn
Mind the gap! Bernard Smith versus the museum, 1961 to 1995 : Christopher R. Marshall
Documenting art: Bernard Smith, academic art history and the role of the curator : Jim Berryman
Bernard Smith as curator: soixante-huitard or Grand Tourist? : Ann Stephen
4 / Bernard Smith's Cultural Politics
Bernard Smith as activist : Max Solling
The Marxist collector: the art collection of Bernard and Kate Smith : Kate Challis.
Ideological conduits and political coathangers: Bernard Smith on Counihan and Courbet : Sheridan Palmer
Bernard Smith, 'cultural convergence' and art history : Catherine De Lorenzo
Bernard Smith's blind spot: Aboriginal and Australian art : Ian McLean
Acknowledgements
Contributors
Index.
Notes:
Includes bibliographical references and index.
Description based on print version record.
Description based on publisher supplied metadata and other sources.
ISBN:
0-909952-98-1
OCLC:
940738711

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account