My Account Log in

3 options

Renaissance rewritings / edited by Helmut Pfeiffer, Irene Fantappie, Tobias Roth.

De Gruyter DG Plus DeG Package 2017 Part 1 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online
Format:
Book
Contributor:
Pfeiffer, Helmut, editor.
Fantappiè, Irene, editor.
Roth, Tobias, editor.
Series:
Transformationen der Antike ; Band 50.
Transformationen der Antike, 1864-5208 ; Band 50
Language:
English
Subjects (All):
English literature--Early modern, 1500-1700--History and criticism.
English literature.
Physical Description:
1 online resource (291 pages) : illustrations.
Edition:
1st ed.
Place of Publication:
Berlin, [Germany] ; Boston, [Massachusetts] : De Gruyter, 2017.
Language Note:
In English.
Summary:
‘Rewriting’ is one of the most crucial but at the same time one of the most elusive concepts of literary scholarship. In order to contribute to a further reassessment of such a notion, this volume investigates a wide range of medieval and early modern literary transformations, especially focusing on texts (and contexts) of Italian and French Renaissance literature. The first section of the book, "Rewriting", gathers essays which examine medieval and early modern rewritings while also pointing out the theoretical implications raised by such texts. The second part, "Rewritings in Early Modern Literature", collects contributions which account for different practices of rewriting in the Italian and French Renaissance, for instance by analysing dynamics of repetition and duplication, verbatim reproduction and free reworking, textual production and authorial self-fashioning, alterity and identity, replication and multiplication. The volume strives at shedding light on the complexity of the relationship between early modern and ancient literature, perfectly summed up in the motto written by Pietro Aretino in a letter to his friend the painter Giulio Romano in 1542: "Essere modernamente antichi e anticamente moderni".
Contents:
Frontmatter
Contents
Introduction
Without Hierarchy: Diffraction, Performance, and Re-writing as Kippbild in Dante’s Vita nova
Anakyklosis. Transformation of Transformations
Rewriting, Re-figuring. Pietro Aretino’s Transformations of Classical Literature
Liber mentalis: the Art of Memory and Rewriting
“nulla son io; […] due siam fatti d’uno” (Geta e Birria) – Subtracting by Duplicating, or The Transformations of Amphitryon in the Early Modern Period
From Plague to Scabies. Rewriting Lucretius in Angelo Poliziano’s Sylva in scabiem
Hippocrates for Princes: Ippolito de’ Medici’s Retratti d’aphorismi
The Inner-Poetic History of Latin Love Poetry in Tito Vespasiano Strozzi’s Eroticon
Shipwrecked Souls. Menippean Satire and Renaissance Textuality
Ariosto’s Rewriting of Ancient and Contemporary Models in Italian Verse Satire
From Venice to Basel. Curione’s Rewritings
Pietro Aretino, St. John the Baptist and the Rewriting of the Psalms
Rewriting the Bible in Pietro Aretino’s Genesi (1538)
Aretino’s Rewritings of the Bible
Index of names
Notes:
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (ebrary, viewed October 16, 2017).
ISBN:
9783110523256
3110523256
9783110525021
311052502X
OCLC:
1004881423

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account