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The ugly woman : transgressive aesthetic models in Italian poetry from the Middle Ages to the Baroque / Patrizia Bettella.

De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 Available online

De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013

EBSCOhost Academic eBook Collection (North America) Available online

EBSCOhost Academic eBook Collection (North America)

Ebook Central Academic Complete Available online

Ebook Central Academic Complete

Ebook Central University Press Available online

Ebook Central University Press

Ebscohost Ebooks University Press Collection (North America) Available online

Ebscohost Ebooks University Press Collection (North America)
Format:
Book
Author/Creator:
Bettella, Patrizia, author.
Series:
Toronto Italian studies
Toronto Italian Studies
Language:
English
Subjects (All):
Italian poetry--History and criticism.
Italian poetry.
Women in literature.
Ugliness in literature.
Misogyny in literature.
Physical Description:
1 online resource (268 p.)
Edition:
2nd ed.
Place of Publication:
Toronto, [Ontario] ; Buffalo, [New York] ; London, [England] : University of Toronto Press, 2005.
Language Note:
English
Summary:
The ugly woman is a surprisingly common figure in Italian poetry, one that has been frequently appropriated by male poetic imagination to depict moral, aesthetic, social, and racial boundaries. Mostly used between the thirteenth and seventeenth centuries - from the invectives of Rustico Filippi, Franco Sacchetti, and Burchiello, to the paradoxical praises of Francesco Berni, Niccolò Campani and Pietro Aretino, and further to the conceited encomia of Giambattista Marino and Marinisti - the portrayal of female unattractiveness was, argues Patrizia Bettella in The Ugly Woman, one way of figuring woman as 'other.'Bettella shows how medieval female ugliness included transgressive types ranging from the lustful old hag, to the slanderer, the wild woman, the heretic/witch, and the prostitute, whereas Early Modern unattractiveness targeted peasants, mountain dwellers, and black slaves: marginal women whose bodies and manners subvert aesthetic precepts of culturally normative beauty and propriety. Taking a philological and feminist approach, and drawing on the Bakhtinian concept of the grotesque body and on the poetics of transgression, The Ugly Woman is a unique look at the essential counterdiscourse of the celebrated Italian poetic canon and a valuable contribution to the study of women in literature.
Contents:
Frontmatter
Contents
Acknowledgments
Introduction
1. Female Ugliness in the Middle Ages: The Old Hag
2. Transgression in the Trecento and Quattrocento: Guardian, Witch, Prostitute
3. The Portrait of the Ugly Woman in the Renaissance: The Peasant, the Anti-Laura
4. New Perspectives in Baroque Poetry: Unconventional Beauty
Conclusion
Appendix
Notes
Bibliography
Index
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on print version record.
ISBN:
1-4875-4194-5
1-4426-5868-1
1-282-02913-4
9786612029134
1-4426-8248-5
OCLC:
1013954411

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