My Account Log in

4 options

The historic imaginary : politics of history in Fascist Italy / Claudio Fogu.

De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central University Press Available online

View online
Format:
Book
Author/Creator:
Fogu, Claudio, 1963- author.
Series:
Toronto Italian Studies
Language:
English
Subjects (All):
Fascism and culture--Italy--History--20th century.
Fascism and culture.
Fascism--Italy--History--20th century.
Fascism.
Fascism--Italy--Historiography.
Italy--History--1922-1945--Historiography.
Italy.
Genre:
History.
Electronic books.
Physical Description:
1 online resource (280 p.)
Edition:
1st ed.
Place of Publication:
Toronto, [Ontario] ; Buffalo, [New York] ; London, [England] : University of Toronto Press, 2003.
Language Note:
English
Summary:
Focusing on both ritual and mass-visual representations of history in 1920s and 1930s Italy, The Historic Imaginary unveils how Italian Fascism sought to institutionalize a modernist culture of history. The study takes a new historicist and microhistorical approach to cultural-intellectual history, integrating theoretical tools of analysis acquired from visual-cultural studies, art history, linguistics, and reception theory in a sophisticated examination of visual modes of historical representation - from commemorations to monuments to exhibitions and mass-media spanning the entire period of the Italian-fascist regime. Claudio Fogu argues that the fascist historic imaginary was intellectually rooted in the actualist philosophy of history elaborated by Giovanni Gentile, culturally grounded in Latin-Catholic rhetorical codes, and aimed at overcoming both Marxist and liberal conceptions of the relationship between historical agency, representation, and consciousness. The book further proposes that this modernist vision of history was a core element of fascist ideology, encapsulated by the famous Mussolinian motto that "fascism makes history rather than writing it," and that its institutionalization constituted a key point of intersection between the fascist aesthetization and sacralization of politics. The author finally claims that his study of fascist historic culture opens the way to an understanding and re-evaluation of the historical relationship between the modernist critique of historical consciousness and the rise of post-modernist forms of temporality.
Contents:
Introduction
History belongs to the present
Il Duce Taumaturgo
Historical spectacle
The historic imaginary and the mass media
The contest of exhibitions
Fascist historic culture.
Notes:
Includes bibliographical references and index.
Includes index.
Description based on print version record.
ISBN:
1-281-99437-5
9786611994372
1-4426-8144-6
OCLC:
1013947831

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account