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Earthquakes and explorations : language and painting from cubism to concrete poetry / Stephen Scobie.

De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central Academic Complete Available online

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Format:
Book
Author/Creator:
Scobie, Stephen, author.
Series:
Theory/culture series.
Theory / Culture
Language:
English
Subjects (All):
Cubism and literature.
Art and literature.
Painting, Modern--20th century.
Painting, Modern.
Concrete poetry--History and criticism.
Concrete poetry.
Genre:
Criticism, interpretation, etc.
Electronic books.
Physical Description:
1 online resource (250 p.)
Edition:
1st ed.
Place of Publication:
Toronto, [Ontario] ; Buffalo, [New York] ; London, [England] : University of Toronto Press, 1997.
Language Note:
In English.
Summary:
The author's concern is both with a general theoretical question - the relationship between painting and poetry, between the visual and the verbal - and with a specific period of artistic history - the early years of the twentieth century, when Cubism flourished. Rather than seeing any conflict or irreconcilable division between painting and poetry, Scobie proposes, as a model for their relation, the Derridean notion of 'the supplement.' This relation is grounded in the pervasiveness of language, in the ways in which language surrounds, imbues, structures, and supplements both verbal and nonverbal images.
Contents:
The supplement of language
'We are a man': the narrativization of painting
Apollinaire and the naming of Cubism
The gospel according to Kahnweiler
The semiotics of Cubism
Metaphor and metonymy in Cubism and Gertrude Stein
The window frame: Delaunay and Apollinaire
Signs of the times
Gadji Beri Bimba: abstraction in poetry
Models of order: Ian Hamilton Finlay.
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on print version record.
ISBN:
1-4426-6486-X
OCLC:
944178595

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