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Edo kabuki in transition : from the worlds of the samurai to the vengeful female ghost / Satoko Shimazaki.

De Gruyter Columbia University Press Complete eBook-Package 2016 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central Academic Complete Available online

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Format:
Book
Author/Creator:
Shimazaki, Satoko, author.
Language:
English
Subjects (All):
Kabuki--History--19th century.
Kabuki.
Japanese drama--Edo period, 1600-1868--History and criticism.
Japanese drama.
Physical Description:
1 online resource (389 pages) : illustrations
Edition:
1st ed.
Place of Publication:
New York : Columbia University Press, [2016]
Language Note:
English
Summary:
Satoko Shimazaki revisits three centuries of kabuki theater, reframing it as a key player in the formation of an early modern urban identity in Edo Japan and exploring the process that resulted in its re-creation in Tokyo as a national theatrical tradition. Challenging the prevailing understanding of early modern kabuki as a subversive entertainment and a threat to shogunal authority, Shimazaki argues that kabuki instilled a sense of shared history in the inhabitants of Edo (present-day Tokyo) by invoking "worlds," or sekai, derived from earlier military tales, and overlaying them onto the present. She then analyzes the profound changes that took place in Edo kabuki toward the end of the early modern period, which witnessed the rise of a new type of character: the vengeful female ghost.Shimazaki's bold reinterpretation of the history of kabuki centers on the popular ghost play Tokaido Yotsuya kaidan (The Eastern Seaboard Highway Ghost Stories at Yotsuya, 1825) by Tsuruya Nanboku IV. Drawing not only on kabuki scripts but also on a wide range of other sources, from theatrical ephemera and popular fiction to medical and religious texts, she sheds light on the development of the ubiquitous trope of the vengeful female ghost and its illumination of new themes at a time when the samurai world was losing its relevance. She explores in detail the process by which nineteenth-century playwrights began dismantling the Edo tradition of "presenting the past" by abandoning their long-standing reliance on the sekai. She then reveals how, in the 1920s, a new generation of kabuki playwrights, critics, and scholars reinvented the form again, "textualizing" kabuki so that it could be pressed into service as a guarantor of national identity.
Contents:
Introduction
The birth of Edo kabuki
Presenting the past: Edo kabuki and the creation of community
The beginning of the end of Edo kabuki: Yotsuya Kaidan in 1825
Overturning the world: the treasury of loyal retainers and Yotsuya Kaidan
Shades of jealousy: the body of the female ghost
The end of the world: figures of the ubume and the breakdown of theater tradition
The modern rebirth of kabuki
Another history: Yotsuya Kaidan on stage and page.
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on print version record.
Description based on publisher supplied metadata and other sources.
ISBN:
9780231540520
0231540523
OCLC:
946713317

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